Reviews

Our team of experienced theatre critics share their thoughts, insights, and critiques about all the top shows in London's West End and Fringe.

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Review: FRENCH TOAST at Riverside Studios, Hammersmith

08 Oct

Reviews

Review: FRENCH TOAST at Riverside Studios, Hammersmith by Stuart King 8 October 2024 at 08:40

Review: FOUR FUNERALS AND A WEDDING, Bread and Roses Theatre

07 Oct

Reviews

Review: FOUR FUNERALS AND A WEDDING, Bread and Roses Theatre by Shehrazade Zafar-Arif 7 October 2024 at 14:57

07 Oct

Reviews

Review: LA BOHÈME at London Coliseum by Stuart King 7 October 2024 at 14:44

Review: JUNO AND THE PAYCOCK at the Gielgud

07 Oct

Reviews

Review: JUNO AND THE PAYCOCK at the Gielgud by Stuart King 7 October 2024 at 00:01

Review: A TUPPERWARE OF ASHES at Dorfman, National Theatre

05 Oct

Reviews

Review: A TUPPERWARE OF ASHES at Dorfman, National Theatre by Stuart King 5 October 2024 at 13:01

Review: BACK TO THE FUTURE THE MUSICAL, Adelphi Theatre

04 Oct

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Review: BACK TO THE FUTURE THE MUSICAL, Adelphi Theatre by Becky Kroon 4 October 2024 at 15:40

04 Oct

Reviews

Review: THE RIVER at Greenwich Theatre by Stuart King 4 October 2024 at 12:10

Review: National Ballet of Canada Frontiers: Choreographers of Canada – Pite/Kudelka/Portner at Sadler’s Wells

03 Oct

Reviews

Review: National Ballet of Canada Frontiers: Choreographers of Canada – Pite/Kudelka/Portner at Sadler’s Wells by Stuart King 3 October 2024 at 17:21

Review: ONE SMALL STEP at Charing Cross Theatre

02 Oct

Reviews

Review: ONE SMALL STEP at Charing Cross Theatre by Stuart King 2 October 2024 at 21:15

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100% Honest Reviews. All show reviews are written by independent theatregoers, directors, or actors. All views expressed in these articles are those of the authors and do not necessarily represent the views of London Box Office.

Not every review published by London Box Office includes a star rating. Where no rating is shown, our reviewer has chosen to share their thoughts and observations without assigning a numerical score. This allows us to provide balanced editorial coverage while encouraging readers to form their own opinions about the production.