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Our team of experienced theatre critics share their thoughts, insights, and critiques about all the top shows in London's West End and Fringe.

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Review Roundup: BLOODSPORT: AFTER HELEN OF TROY at Theatre Royal Stratford East

14 Sep

Reviews

Review Roundup: BLOODSPORT: AFTER HELEN OF TROY at Theatre Royal Stratford East by Shehrazade Zafar-Arif 14 September 2026 at 10:31

Review: BLOODSPORT: AFTER HELEN OF TROY at Theatre Royal Stratford East

13 Sep

Reviews

Review: BLOODSPORT: AFTER HELEN OF TROY at Theatre Royal Stratford East by Stuart King 13 September 2026 at 18:38

Review: NIGHT CITY at Southwark Playhouse Borough

12 Sep

Reviews

Review: NIGHT CITY at Southwark Playhouse Borough by Stuart King 12 September 2026 at 09:24

Review: THE CHERRY ORCHARD at Riverside Studios

11 Sep

Reviews

Review: THE CHERRY ORCHARD at Riverside Studios by Shehrazade Zafar-Arif 11 September 2026 at 16:30

Review: TARTUFFE (REMIXED) at Marylebone Theatre

11 Sep

Reviews

Review: TARTUFFE (REMIXED) at Marylebone Theatre by Stuart King 11 September 2026 at 08:49

10 Sep

Reviews

Review: MERE MORTALS at Sadler’s Wells by Eve Jawara 10 September 2026 at 08:43

Review: KIMBERLY AKIMBO at Hampstead Theatre

10 Sep

Reviews

Review: KIMBERLY AKIMBO at Hampstead Theatre by Stuart King 10 September 2026 at 08:42

Review: JANE EYRE at Southwark Playhouse Elephant

09 Sep

Reviews

Review: JANE EYRE at Southwark Playhouse Elephant by Stuart King 9 September 2026 at 00:50

First Look: JANE EYRE at Southwark Playhouse Elephant

09 Sep

Reviews

First Look: JANE EYRE at Southwark Playhouse Elephant by Shehrazade Zafar-Arif 9 September 2026 at 00:02

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100% Honest Reviews. All show reviews are written by independent theatregoers, directors, or actors. All views expressed in these articles are those of the authors and do not necessarily represent the views of London Box Office.

Not every review published by London Box Office includes a star rating. Where no rating is shown, our reviewer has chosen to share their thoughts and observations without assigning a numerical score. This allows us to provide balanced editorial coverage while encouraging readers to form their own opinions about the production.