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Reviews

Our reviews are written by independent theatregoers. If you're looking for unbiased and honest reviews, you're in the right place. And don't forget that the ratings on our website are compiled from real reviews from real customers.

Reviews

The Good, the Bad and the Fifty
17 Feb
Reviews
Isabella James

Review: THE GOOD, THE BAD & THE FIFTY The 12th Annual London Improvathon

The Good, the Bad and the Fifty For the twelfth year running, The Annual London Improvathon is taking over Wilton’s Musical Hall for a whole weekend of improvisation. Starting at 7pm on Friday and running straight through until Sunday night.

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The Winter's Tale - National Theatre
14 Feb
Reviews
Hugo Nicholson

Review: THE WINTER’S TALE at the National Theatre

The Winter's Tale - National Theatre When looking to introduce children to Shakespeare, The Winter’s Tale might not seem like an especially sensible place to start. Despite its universal themes (love, forgiveness, jealous), its focus on young people, and the famous bear-based stage direction, the play’s wildly convoluted plot is enough to leave any audience utterly perplexed, no matter their age.

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Rosalie Craig, Richard Henders and Jennifer Saayeng in Company at the Gielgud Theatre
11 Feb
Reviews
Tim Winter

Second Look: COMPANY at the Gielgud Theatre

Walking along West End's Shaftesbury Avenue, it's easy to get blinded by the number of four and five star reviews on the billboards outside the theatres for all the shows. Can they ALL be that good?

Rosalie Craig, Richard Henders and Jennifer Saayeng in Company at the Gielgud Theatre Rosalie Craig, Richard Henders and Jennifer Saayeng in Company at the Gielgud Theatre.

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Good Dog at Watford Palace Theatre
08 Feb
Reviews
Nastazja Domaradzka

Review: GOOD DOG at Watford Palace Theatre

Good Dog at Watford Palace Theatre Following the success of its tour in 2017, tiata fahodzi company revives Arinze Kene’s GOOD DOG. A story about the reality of living in austerity Britain, explored through the prism of one boy’s adolescence, GOOD DOG is full of sensitive observation and vivid images. Although not without its flaws, the production is a roller-coaster of storytelling, and further proof that Arinze Kene is quickly becoming one of the most crucial voices in contemporary British theatre.

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GHOST GIRL // GWEI MUI 鬼妹
28 Jan
Reviews
Tim Winter

Review: GHOST GIRL // GWEI MUI 鬼妹 at The Camden People's Theatre

GHOST GIRL // GWEI MUI 鬼妹 Presented as part of the inaugural Chinese Arts Now (CAN) festival but extending its run for Camden People's Theatre's Spring season, Jennifer Tang's excellent Ghost Girl // Gwei Mui 鬼妹 deserves as large an audience it can get.

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