Reviews

Our team of experienced theatre critics share their thoughts, insights, and critiques about all the top shows in London's West End and Fringe.

Search News & Reviews

16 Dec

Reviews

Review: INDIAN INK at Hampstead Theatre by Stuart King 16 December 2025 at 16:41

Review: CHRISTMAS CAROL GOES WRONG at Apollo Theatre

16 Dec

Reviews

Review: CHRISTMAS CAROL GOES WRONG at Apollo Theatre by Stuart King 16 December 2025 at 09:06

Review: PARANORMAL ACTIVITY at Ambassadors Theatre

15 Dec

Reviews

Review: PARANORMAL ACTIVITY at Ambassadors Theatre by Stuart King 15 December 2025 at 23:59

Review Round-Up: CHRISTMAS CAROL GOES WRONG at the Apollo Theatre

15 Dec

Reviews

Review Round-Up: CHRISTMAS CAROL GOES WRONG at the Apollo Theatre by Shehrazade Zafar-Arif 15 December 2025 at 12:19

Review: GAWAIN AND THE GREEN KNIGHT at Park Theatre

13 Dec

Reviews

Review: GAWAIN AND THE GREEN KNIGHT at Park Theatre by Stuart King 13 December 2025 at 20:22

Review: INTO THE WOODS at Bridge Theatre

12 Dec

Reviews

Review: INTO THE WOODS at Bridge Theatre by Stuart King 12 December 2025 at 13:57

Review Round-Up: INTO THE WOODS at the Bridge Theatre

12 Dec

Reviews

Review Round-Up: INTO THE WOODS at the Bridge Theatre by Shehrazade Zafar-Arif 12 December 2025 at 13:05

Review: MATTHEW BOURNE'S THE RED SHOES at Sadler's Wells

12 Dec

Reviews

Review: MATTHEW BOURNE'S THE RED SHOES at Sadler's Wells by Stuart King 12 December 2025 at 00:01

Review: DANIEL'S HUSBAND at Marylebone Theatre

10 Dec

Reviews

Review: DANIEL'S HUSBAND at Marylebone Theatre by Stuart King 10 December 2025 at 18:38

« previous articles - page 17 of 168 - next articles »

100% Honest Reviews. All show reviews are written by independent theatregoers, directors, or actors. All views expressed in these articles are those of the authors and do not necessarily represent the views of London Box Office.

Not every review published by London Box Office includes a star rating. Where no rating is shown, our reviewer has chosen to share their thoughts and observations without assigning a numerical score. This allows us to provide balanced editorial coverage while encouraging readers to form their own opinions about the production.