Reviews

Our team of experienced theatre critics share their thoughts, insights, and critiques about all the top shows in London's West End and Fringe.

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19 Aug

Reviews

Review: WARHEADS at Park Theatre by Stuart King 19 August 2019 at 09:33

Review: HORRIBLE HISTORIES - BARMY BRITAIN at The Apollo Theatre, London

11 Aug

Reviews

Review: HORRIBLE HISTORIES - BARMY BRITAIN at The Apollo Theatre, London by Isabella James 11 August 2019 at 10:26

02 Aug

Reviews

Review: BLUES IN THE NIGHT at The Kiln by Nicky Allpress 2 August 2019 at 20:04

Review: THE GIRL ON THE TRAIN at the Duke Of York's Theatre

29 Jul

Reviews

Review: THE GIRL ON THE TRAIN at the Duke Of York's Theatre by Phil Willmott 29 July 2019 at 10:03

Review: PETER PAN at Troubadour White City Theatre

27 Jul

Reviews

Review: PETER PAN at Troubadour White City Theatre by Isabella James 27 July 2019 at 18:15

Second Look: The National Theatre’s BARBERSHOP CHRONICLES, now at The Roundhouse

24 Jul

Reviews

Second Look: The National Theatre’s BARBERSHOP CHRONICLES, now at The Roundhouse by Nastazja Domaradzka 24 July 2019 at 09:48

Review AN EVENING WITHOUT KATE BUSH at the Museum of Comedy

19 Jul

Reviews

Review AN EVENING WITHOUT KATE BUSH at the Museum of Comedy by Marian Pashley 19 July 2019 at 15:52

REVIEW: Ex-Batts and Broilers at the Greenwich Theatre

19 Jul

Reviews

REVIEW: Ex-Batts and Broilers at the Greenwich Theatre by Justin Murray 19 July 2019 at 15:31

Review: CAPTAIN CORELLI’S MANDOLIN at the Harold Pinter Theatre

12 Jul

Reviews

Review: CAPTAIN CORELLI’S MANDOLIN at the Harold Pinter Theatre by Stuart King 12 July 2019 at 13:55

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100% Honest Reviews. All show reviews are written by independent theatregoers, directors, or actors. All views expressed in these articles are those of the authors and do not necessarily represent the views of London Box Office.

Not every review published by London Box Office includes a star rating. Where no rating is shown, our reviewer has chosen to share their thoughts and observations without assigning a numerical score. This allows us to provide balanced editorial coverage while encouraging readers to form their own opinions about the production.