Reviews

Our team of experienced theatre critics share their thoughts, insights, and critiques about all the top shows in London's West End and Fringe.

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Review: GIRL FROM THE NORTH COUNTRY at The Gielgud Theatre

19 Dec

Reviews

Review: GIRL FROM THE NORTH COUNTRY at The Gielgud Theatre by Phil Willmott 19 December 2019 at 10:45

Review: THE OCEAN AT THE END OF THE LANE at the National Theatre

17 Dec

Reviews

Review: THE OCEAN AT THE END OF THE LANE at the National Theatre by Phil Willmott 17 December 2019 at 22:29

Review: AMELIE at the Other Palace Theatre

16 Dec

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Review: AMELIE at the Other Palace Theatre by Phil Willmott 16 December 2019 at 11:41

Review: MARTHA, JOSIE AND THE CHINESE ELVIS at Park Theatre

15 Dec

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Review: MARTHA, JOSIE AND THE CHINESE ELVIS at Park Theatre by Stuart King 15 December 2019 at 16:28

Review: THREE SISTERS at The Lyttelton Theatre, National Theatre

12 Dec

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Review: THREE SISTERS at The Lyttelton Theatre, National Theatre by Philip Swan 12 December 2019 at 09:53

Review: A TASTE OF HONEY at Trafalgar Studios

06 Dec

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Review: A TASTE OF HONEY at Trafalgar Studios by Stuart King 6 December 2019 at 10:57

Review: DICK WHITTINGTON at Stratford East

06 Dec

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Review: DICK WHITTINGTON at Stratford East by Nastazja Domaradzka 6 December 2019 at 09:00

Review: GOLDILOCKS AND THE THREE MUSKETEERS at Battersea Arts Centre, London

05 Dec

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Review: GOLDILOCKS AND THE THREE MUSKETEERS at Battersea Arts Centre, London by Isabella James 5 December 2019 at 16:05

Review: AFTERGLOW at Waterloo East Theatre

02 Dec

Reviews

Review: AFTERGLOW at Waterloo East Theatre by Stuart King 2 December 2019 at 12:11

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100% Honest Reviews. All show reviews are written by independent theatregoers, directors, or actors. All views expressed in these articles are those of the authors and do not necessarily represent the views of London Box Office.

Not every review published by London Box Office includes a star rating. Where no rating is shown, our reviewer has chosen to share their thoughts and observations without assigning a numerical score. This allows us to provide balanced editorial coverage while encouraging readers to form their own opinions about the production.