Lee Hall’s stage adaptation of Paddy Chayefsky’s multi award-winning movie from 1976, played to a packed and enthusiastic audience at last evening’s Press Night. The production’s box office success is already guaranteed for the duration of its run (although some day seats are available), due in no small part to the casting of Bryan Cranston (Breaking Bad, Trumbo) as TV News anchorman, Howard Beale. The part won Peter Finch an Oscar for his portrayal which sadly had to be awarded posthumously.
Theatre News and Reviews


Review: NETWORK at the National Theatre
By Stuart King Tuesday, November 14 2017, 16:57


Review: PICASSO at The Playground Theatre
By Jess Morrissey Friday, November 10 2017, 08:16
Picasso, by the late Terry d’Alfonso, marks the launch of London’s newest venue, The Playground Theatre. Located in Latimer Road, West London, this building has evolved from bus depot to experimental workshop space to theatre.


Review: THE EXORCIST at the Phoenix Theatre
By Nicola Wright Monday, November 6 2017, 10:08
Regarded by many as one of the most iconic, and disturbing horror films ever made, The Exorcist was released in 1973. Banned by some cinemas the audience were desperate to see if this multi award winning film would live up to the word of mouth hype. Written originally as a book by William Peter Blatty and two years later as the film, this stage version which began at Birmingham Rep, has been adapted by John Pielmeier and remains as faithful to the book as the confines of a stage production will allow.


Review: ROMANTICS ANONYMOUS at Sam Wanamaker Playhouse
By Hugh Wooldridge Saturday, November 4 2017, 17:00
100 years ago, musical theatre as we know it was invented at the Princess Theatre in New York by the unlikely trio of Jerome Kern, Guy Bolton and PG Wodehouse. In 1917 alone, this trio had five shows running simultaneously on Broadway.


Review: OF KITH AND KIN at Bush Theatre
By Isabella James Saturday, November 4 2017, 09:24
Of Kith and Kin is is an incredibly dramatic new play by Chris Thompson, directed by Robert Hastie, which pulls the audience along a roller-coaster of emotions in three contrasting acts.
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