The Gruffalo’s Child, which opened this week at the Lyric Theatre, Shaftesbury Avenue is a sweet reworking of Julia Donaldson’s charming story. We follow the Gruffalo’s brave daughter who, in spite of her father’s warnings, ventures into the deep dark woods to see just how scary the ‘Big Bad Mouse’ really is.
Theatre News and Reviews
27 Nov
Reviews 
Review: THE GRUFFALO'S CHILD at the Lyric Theatre
By Nicky Allpress Monday, November 27 2017, 10:09
27 Nov
Reviews 
Review: BARBER SHOP CHRONICLES at the National Theatre (Dorfman)
By Hugh Wooldridge Monday, November 27 2017, 09:33
Fifteen years ago, Trevor Nunn, the then Artistic Director of the National Theatre, was condemned for mounting productions of popular musicals such as Oklahoma!, Anything Goes and My Fair Lady. But, he protested, the National Theatre is for all people - why should not we who fund the National Theatre and like musicals, not see the best musicals there?
24 Nov
Reviews 
Review: EVERYBODY’S TALKING ABOUT JAMIE at the Apollo Theatre
By Phil Willmott Friday, November 24 2017, 17:35
London needs something to celebrate as this particular winter of political uncertainty grinds onwards - this musical is the perfect way to lift the gloom with a reminder of decent British humanity that celebrates the individual spirit.
24 Nov
Reviews 
Review: BAD ROADS at The Royal Court
By Nicole Acquah Friday, November 24 2017, 07:12
Bad Roads at the Royal Court is an unflinching examination of war’s effect on humanity, desire and relationships.
There is a sense of yearning that permeates the fog of the play; a sense of waiting, hoping, trusting…although whether we should trust in humanity’s potential for good is a question that remains unanswered by the end of the production.
23 Nov
Reviews 
Review: MEN IN MOTION at London Coliseum
By Stuart King Thursday, November 23 2017, 10:01
MEN IN MOTION was set to thrill dance audiences once more with a limited run at the London Coliseum this month. Ballet superstar Ivan Putrov assembled a cast and promised to explore 100 years of male dance emphasis and influence in a 100-minute programme. A tall order perhaps, but an exciting prospect.
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