Reviews

Our team of experienced theatre critics share their thoughts, insights, and critiques about all the top shows in London's West End and Fringe.

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Review: THE GIRLS at the Phoenix Theatre

26 Feb

Reviews

Review: THE GIRLS at the Phoenix Theatre by Christian Durham 26 February 2017 at 07:48

Review: TWELFTH NIGHT at the National Theatre

25 Feb

Reviews

Review: TWELFTH NIGHT at the National Theatre by Phil Willmott 25 February 2017 at 10:25

Review: THE WILD PARTY at The Other Palace

24 Feb

Reviews

Review: THE WILD PARTY at The Other Palace by Phil Willmott 24 February 2017 at 18:09

Review: THIS IS NOT CULTURALLY SIGNIFICANT at The Vault Festival

17 Feb

Reviews

Review: THIS IS NOT CULTURALLY SIGNIFICANT at The Vault Festival by Nastazja Domaradzka 17 February 2017 at 12:50

Review: TRAVESTIES at the Apollo Theatre

16 Feb

Reviews

Review: TRAVESTIES at the Apollo Theatre by Phil Willmott 16 February 2017 at 08:39

Review: GLITTER PUNCH, Kings Head Theatre

13 Feb

Reviews

Review: GLITTER PUNCH, Kings Head Theatre by Daniel Perks 13 February 2017 at 10:00

Review: A YEAR FROM NOW at The Vault Festival

03 Feb

Reviews

Review: A YEAR FROM NOW at The Vault Festival by Nastazja Domaradzka 3 February 2017 at 12:52

Review: THE GLASS MENAGERIE at The Duke of York's Theatre

02 Feb

Reviews

Review: THE GLASS MENAGERIE at The Duke of York's Theatre by Phil Willmott 2 February 2017 at 14:22

Review: MUCH ADO ABOUT NOTHING OR LOVE’S LABOUR’S WON at Theatre Royal, Haymarket

23 Jan

Reviews

Review: MUCH ADO ABOUT NOTHING OR LOVE’S LABOUR’S WON at Theatre Royal, Haymarket by Thomas Michael Voss 23 January 2017 at 11:09

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100% Honest Reviews. All show reviews are written by independent theatregoers, directors, or actors. All views expressed in these articles are those of the authors and do not necessarily represent the views of London Box Office.

Not every review published by London Box Office includes a star rating. Where no rating is shown, our reviewer has chosen to share their thoughts and observations without assigning a numerical score. This allows us to provide balanced editorial coverage while encouraging readers to form their own opinions about the production.