Ever since Emma Rice took the helm at The Globe the work coming out of the building has created an undeniable buzz of excitement, and after seeing Much Ado About Nothing, I can see why. Directed by Matthew Dunster, this production has been imaginatively reworked with his fresh approach to such a well-known story. This version is set in the Mexican Revolution of 1910, and while sometimes changes such as this can feel unnecessary and somewhat imposed on the script, this choice lifts the piece giving it a new, more contemporary life. In making this choice Dunster has made Shakespeare more accessible for its younger audiences, and in his own words this production will hopefully, “mean something new to an audience, or mean something to a new audience”.
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