I can’t remember when I last saw anything by Terence Rattigan. I suppose I had mentally consigned his work to the world of am-dram and school plays and thought of it as old fashioned; a bit too comfortable, like a well-worn sofa. The restoration of interest in Rattigan in recent years had largely passed me by, and I didn’t catch the latest (well-received) revival of The Deep Blue Sea at The National. Which brings me to Kenny Morgan.
Theatre News and Reviews


Review KENNY MORGAN at Arcola Theatre
By Kit Benjamin Tuesday, September 27 2016, 11:31


Happy Birthday to the West End WICKED
By Phil Willmott Monday, September 26 2016, 10:19
Blockbuster musical WICKED will soon celebrate ten years in the West End.
I first saw it on Broadway a year before its arrival in London and for me it was love at first sight!


How the West End is mirroring the Wild West
By Phil Willmott Monday, September 26 2016, 09:52
The remake of classic western THE MAGNIFICENT SEVEN has just hit cinemas so it feels apt that two new shows have been announced that utilise the same story structure.
Let me explain. The movie itself is adapted from THE SEVEN SAMURAI which is thought to be the first significant time a plot has been used in which a maverick leader assembles a team comprising off conflicted and conflicting members who then work together to conquer a challenge.


Dream casting announced for a timely revival of one of the greatest plays ever written
By Phil Willmott Friday, September 23 2016, 13:45
Talk about dream casting! Imelda Staunton, who cemented her reputation as West End goddess and national treasure recently with her performances in musicals GYPSY and SWEENEY TODD will play Martha in the drama WHO’S AFRAID OF VIRGINIA WOOLF?.
When people debate the greatest plays ever written this one is regularly in top 10s and rightly so, when acted well it is one of the most devastating evenings of theatre you can encounter.


Review: THINGS I KNOW TO BE TRUE at the Lyric Theatre, Hammersmith
By Monty Leigh Tuesday, September 20 2016, 14:30
State Theatre Company and Frantic Assembly’s offering of Bovell’s THINGS I KNOW TO BE TRUE taps into our undying fascination with familial relationships, and the way in which they tackle it, taps into our hearts.
The story revolves around the Price family, whose naive youngest child Rosie (Kirsty Oswald) has just returned from her gap year around Europe. The family begins to unravel around her, and a tragic incident punctuates the day her ‘childhood ended.’
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