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Our reviews are written by independent theatregoers. If you're looking for unbiased and honest reviews, you're in the right place. And don't forget that the ratings on our website are compiled from real reviews from real customers.

Reviews

Barbershop Chronicles
24 Jul
Reviews
Nastazja Domaradzka

Second Look: The National Theatre’s BARBERSHOP CHRONICLES, now at The Roundhouse

Barbershop Chronicles Following two sell out runs at The National Theatre and a world tour Inua Ellam’s epic multi-continental story Barbershop Chronicles arrives at The Roundhouse and if there ever was such a thing as ‘the hottest ticket in town’ this is it.

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An Evening Without Kate Bush
19 Jul
Reviews
Marian Pashley

Review AN EVENING WITHOUT KATE BUSH at the Museum of Comedy

An Evening Without Kate Bush This show celebrates the music and very unique talent of Kate Bush, but its narrative focus is on her fans. That is not to say that Sarah-Louise Young does not give a fantastic rendition of Kate.

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Ex-Batts and Broilers
19 Jul
Reviews
Justin Murray

REVIEW: Ex-Batts and Broilers at the Greenwich Theatre

Ex-Batts and Broilers Gail and Gemma (Jesse Dupré and Sophie Taylor) are chickens. They have an important decision to make today and they need us, the audience, to help them decide.

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Captain Corelli's Mandolin
12 Jul
Reviews
Stuart King

Review: CAPTAIN CORELLI’S MANDOLIN at the Harold Pinter Theatre

Until the end of August, the Harold Pinter theatre plays host to a stage adaptation of Louis de Bernières’ multi-award winning, World War II Greek Island romance, CAPTAIN CORELLI’S MANDOLIN and aside from a few minor gripes, it’s a beautifully realised affair.

Captain Corelli's Mandolin Madison Clare, Alex Mugnaioni and Members of the Company in Captain Corelli's Mandolin. Photography by Marc Brenner

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Peter Gynt - National Theatre
11 Jul
Reviews
Phil Willmott

Review PETER GYNT at the National Theatre

Peter Gynt - National Theatre This play is usually called Peer Gynt. It’s a rambling pageant of symbolism by Henrik Ibsen that, some people believe, he never intended to be staged. Never the less it’s so often produced it’s Norway’s most performed work. There’s even an annual festival dedicated to it.

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