Reviews

Our team of experienced theatre critics share their thoughts, insights, and critiques about all the top shows in London's West End and Fringe.

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Review: A YEAR FROM NOW at The Vault Festival

03 Feb

Reviews

Review: A YEAR FROM NOW at The Vault Festival by Nastazja Domaradzka 3 February 2017 at 12:52

Review: THE GLASS MENAGERIE at The Duke of York's Theatre

02 Feb

Reviews

Review: THE GLASS MENAGERIE at The Duke of York's Theatre by Phil Willmott 2 February 2017 at 14:22

Review: MUCH ADO ABOUT NOTHING OR LOVE’S LABOUR’S WON at Theatre Royal, Haymarket

23 Jan

Reviews

Review: MUCH ADO ABOUT NOTHING OR LOVE’S LABOUR’S WON at Theatre Royal, Haymarket by Thomas Michael Voss 23 January 2017 at 11:09

Review: THE KITE RUNNER, Wyndhams Theatre

20 Jan

Reviews

Review: THE KITE RUNNER, Wyndhams Theatre by Andrew Bewley 20 January 2017 at 09:36

Review: LOVE'S LABOUR'S LOST at the Haymarket Theatre

18 Jan

Reviews

Review: LOVE'S LABOUR'S LOST at the Haymarket Theatre by Phil Willmott 18 January 2017 at 14:34

11 Jan

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Review: DREAMGIRLS at The Savoy Theatre by Joseph Wicks 11 January 2017 at 13:07

Review: HEDDA GABLER at The National Theatre

03 Jan

Reviews

Review: HEDDA GABLER at The National Theatre by Nastazja Domaradzka 3 January 2017 at 15:28

Review: LOVE’S LABOUR’S LOST and MUCH ADO ABOUT NOTHING at Theatre Royal Haymarket

26 Dec

Reviews

Review: LOVE’S LABOUR’S LOST and MUCH ADO ABOUT NOTHING at Theatre Royal Haymarket by Nastazja Domaradzka 26 December 2016 at 09:48

Review: MILLION DOLLAR QUARTET at the Royal Festival Hall

24 Dec

Reviews

Review: MILLION DOLLAR QUARTET at the Royal Festival Hall by Phil Willmott 24 December 2016 at 14:31

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100% Honest Reviews. All show reviews are written by independent theatregoers, directors, or actors. All views expressed in these articles are those of the authors and do not necessarily represent the views of London Box Office.

Not every review published by London Box Office includes a star rating. Where no rating is shown, our reviewer has chosen to share their thoughts and observations without assigning a numerical score. This allows us to provide balanced editorial coverage while encouraging readers to form their own opinions about the production.