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Our reviews are written by independent theatregoers. If you're looking for unbiased and honest reviews, you're in the right place. And don't forget that the ratings on our website are compiled from real reviews from real customers.

Reviews

Horrible Histories - Barmy Britain Part 4
07 Aug
Reviews
Nicole Acquah

HORRIBLE HISTORIES: BARMY BRITAIN at The Apollo Theatre

Horrible Histories - Barmy Britain Part 4 Looking for a family afternoon out that is both fun and educational? Look no further than BSC’s Horrible Histories: Barmy Britain (Part 4) at the Apollo.

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The Break A Leggers - Kinky Boots
06 Aug
Reviews
The Break A Leggers

Video review: KINKY BOOTS at the Adelphi Theatre

The Break A Leggers - Kinky Boots The Break A Leggers review award-winning Kinky Boots at the Adelphi Theatre in London’s West End. Will it be Break A Leg? Or Leg It!

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Sacrifice - Ardent8
06 Aug
Reviews
Stuart King

Review: SACRIFICE at Soho Theatre

Sacrifice - Ardent8 Ardent8 are currently presenting a new play SACRIFICE at Soho Theatre, the primary object of which is to offer an opportunity for talented regionally-trained performers to demonstrate their acting smarts to a London audience. Thankfully, they deliver.

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Sheila Atim as Emilia and André Holland as Othello. Photo Simon Annand
04 Aug
Reviews
Stuart King

Review: OTHELLO at Shakespeare’s Globe

Plays about jealousy, envy, passion and amorous lust, must have seemed a-dime-a-dozen in Shakespeare’s day.

Here we go again at The Globe with OTHELLO, hot(ish) on the heels of London’s last notable foray into the world of Venetian military intrigue and apparent marital betrayal (The National’s 2013 production, in which Adrian Lester and Rory Kinnear played the Blackamoor and his long-time military comrade, Iago).

Sheila Atim as Emilia and André Holland as Othello. Photo Simon AnnandSheila Atim as Emilia and André Holland as Othello. Photo Simon Annand

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Dark in the Water
03 Aug
Reviews
Alexander Huetson

Review: DARK IN THE WATER at the White Bear, Kennington

Dark in the Water Upon entering the White Bear Pub I'm struck by the beauty of the pub's interior – more like an airy time capsule to a former golden age.

Upstairs the stage is small, with a simple panel fenced backdrop, a table, a phone and a radio. All essential plot devices as we later find out. 2 actors wait to spring into action, with an eery framed picture behind them, alluding to a nightmare.

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