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Reviews

Left to right: Mensah Bediako (Melrose), Diveen Henry (Miss Myrtle), Gary Liburn (Eddie) in Miss Myrtle's Garden at Bush Theatre.  Photo by Camilla Greenwell
08 Jun
Reviews
Stuart King

Review: MISS MYRTLE’S GARDEN at Bush Theatre

Danny James King’s much anticipated MISS MYRTLE’S GARDEN opened this week at Bush Theatre. A funny, yet jarring and resonant family drama, it looks at the impact of a feisty matriarch’s cognitive decline, as past traumas and memories haunt her enjoyment of a placid and calm garden setting.

Left to right: Mensah Bediako (Melrose), Diveen Henry (Miss Myrtle), Gary Liburn (Eddie) in Miss Myrtle's Garden at Bush Theatre.  Photo by Camilla GreenwellLeft to right: Mensah Bediako (Melrose), Diveen Henry (Miss Myrtle), Gary Liburn (Eddie) in Miss Myrtle's Garden at Bush Theatre. Photo by Camilla Greenwell.

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Ali Goldsmith, Jemima Brown, Bella Aubin, Kat Collings in A Midsummer Night's Dream at The Bridge (Credit Manuel Harlan)
06 Jun
Reviews
Stuart King

Review: A MIDSUMMER NIGHT’S DREAM at Bridge Theatre

I last saw Nick Hytner’s A MIDSUMMER NIGHT’S DREAM at Bridge Theatre back in June 2019 before the Covid pandemic was a twinkle in a Chinese lab technician’s test tube. The mysticism of Shakespeare’s woodland mayhem resonated then and remains potent, based as it is on the 1623 First Folio with circa 500 lines reassigned for modernising and comedy purposes.

Ali Goldsmith, Jemima Brown, Bella Aubin, Kat Collings in A Midsummer Night's Dream at The Bridge (Credit Manuel Harlan)Ali Goldsmith, Jemima Brown, Bella Aubin, Kat Collings in A Midsummer Night's Dream at The Bridge (Credit Manuel Harlan)

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Sirine Saba and Laura Moody in Letters from Max. Photo Helen Murray
03 Jun
Reviews
Stuart King

Review: LETTERS FROM MAX at Hampstead Theatre

Sarah Ruhl has produced this stage adaptation of her book LETTERS FROM MAX written with Max Ritvo in which her collaborator, a vibrant and energetic young intellectual aesthete, tackles the most taxing of human challenges.

Sirine Saba and Laura Moody in Letters from Max. Photo Helen MurraySirine Saba and Laura Moody in Letters from Max. Photo Helen Murray

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Anoushka Lucas sat at piano in Elephant at Menier Chocolate Factory. Credit Manuel Harlan
30 May
Reviews
Stuart King

Review: ELEPHANT at Menier Chocolate Factory

Given the checkered history of ivory and its interconnectedness with pianos, Africa and slavery, it’s somewhat surprising that no-one has previously thought to conjure a theatre piece which manages to incorporate these elements and tie them in with Empire and Britain’s ongoing struggle with its legacy class system.

Anoushka Lucas sat at piano in Elephant at Menier Chocolate Factory. Credit Manuel HarlanAnoushka Lucas sat at piano in Elephant at Menier Chocolate Factory. Credit Manuel Harlan

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Jaz Singh Deol, Anoushka Deshmukh, Irfan Shamji, Omar Malik, and Kiran Landa in Marriage Material at Lyric Hammersmith. Photography by Helen Murray
29 May
Reviews
Stuart King

Review: MARRIAGE MATERIAL at Lyric Hammersmith

It’s the late 1960s and two teenage Punjabi sisters, part of a close-knit Sikh family in Wolverhampton, learn what it means to be part of a community which is forced to fight for acceptance and respect, whilst never losing sight of its history, traditions, culture and aspirations.

Jaz Singh Deol, Anoushka Deshmukh, Irfan Shamji, Omar Malik, and Kiran Landa in Marriage Material at Lyric Hammersmith. Photography by Helen MurrayJaz Singh Deol, Anoushka Deshmukh, Irfan Shamji, Omar Malik, and Kiran Landa in Marriage Material at Lyric Hammersmith. Photography by Helen Murray

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