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By Stuart King Tuesday, February 11 2020, 11:02
The new Artistic Director of Hampstead Theatre Roxana Silbert, marks her directing debut for the house with a scorchingly delivered exposé of our national security eavesdroppers and what happens when their unfettered access to personal data, reveals more than they expect.
Sarah Woodward (Hannah), Oliver Johnstone (Neil) and Enyi Okoronkwo (Zef) in The Haystack at Hampstead Theatre. Photo credit Ellie Kurttz.
By John Yap Friday, February 7 2020, 18:55
THE WEDDING SINGER The Musical finally makes it to London 14 years after its Broadway reception. London’s reception is in the rather out of the way Troubadour Theatre in Wembley Park.
By Stuart King Wednesday, February 5 2020, 09:01
Composer and librettist Gerald Barry, has concocted a surrealist world using as its basis, an amalgamation of Lewis Carroll’s Alice stories. The result is a riotous, fast-paced, fantastically energetic, kaleidoscopic Wonderland, for all ages, (though perhaps not all ears)!
By Miriam Gibson Wednesday, February 5 2020, 07:35
In contemporary South Africa, Jack Morris is an aging alcoholic actor, recently diagnosed with liver cancer. He's dying, but determined to stay alive long enough to star in King Lear. Lunga Kunene is the professional nurse sent to care for him. Jack is white. Kunene is black.
John Kani as Lunga Kunene and Antony Sher as Jack Morris in Kunene and the King. Photo by Ellie Kurttz. © RSC
By Justin Murray Tuesday, February 4 2020, 18:55
In the Hammersmith Lyric’s Faustus: That Damned Woman, Johanna Faustus does not have the title of Doctor when we first meet her. She’s just Johanna the apothecary’s daughter, obsessed with her mother, hanged as a witch.
Jodie McNee as Johanna Faustus in Faustus: That Damned Woman at the Lyric Hammersmith. Photo by Manuel Harlan.
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