Intoxicated tales from darkest Soho in the form of Matthew Bourne’s THE MIDNIGHT BELL, eschews Noel Coward’s passé and draws favourable comparison with the grittier elements of 1930s London found in the works of Graham Greene and Somerset Maugham.
MATTHEW BOURNE'S THE MIDNIGHT BELL. Danny Reubens and Cordelia Braithwaite. Photo by Johan Persson