As Emma Rice leaves The Globe Theatre in the spring of 2018 she leaves behind a legacy, a legacy that has changed The Globe indefinitely. Shared light or no shared light Rice has transformed a “museum theatre” and a tourist attraction into a venue that is now seen as relevant and approachable as it once again lures people of all backgrounds, ages and classes, by staging productions which are rooted in universal socio-political truths. The world premiere of Tristan Bernay’s BOUDICA is no different, as it puts a famous tribal heroine centre stage and aims to make a comment about the current political climate in Britain.
West End Theatre News and Reviews


Review: BOUDICA at The Globe
By Nastazja Domaradzka Saturday, September 16 2017, 11:19


Review: THE BLINDING LIGHT at Jermyn Street Theatre
By David Scotland Wednesday, September 13 2017, 09:14
There is frequently added examination of the first production by a new Artistic Director of a venue, in search of an indication of what is to come. This is the dubious honour currently bestowed upon Tom Littler as he opens his first season as Artistic Director of the Jermyn Street Theatre. If The Blinding Light, a new play by Howard Brenton, is a statement of intent then Jermyn Street looks to be at the forefront of London fringe theatre for the foreseeable future thanks to a combination of interesting writing and compelling performances.


Review: THE PROVOKED WIFE at The Hope Theatre
By David Scotland Tuesday, September 12 2017, 15:11
Restoration Comedy is not usually a ‘go to’ genre for a young theatre company but that is exactly the nature of the latest production by Marooned Theatre. John Vanbrugh wrote The Provoked Wife in 1697 but this staging, currently playing at the Hope Theatre in Islington, drags the play into the 21st Century by setting it at a modern day music festival. The result is not dissimilar to seeing an episode of Made in Chelsea reenacted on stage.


Strictly Ballroom Dances its way into the West End
By Phil Willmott Tuesday, September 12 2017, 07:26
Ballroom Dancing fans and those who love a good Cinderella story will be delighted to hear that the stage version of much loved movie musical Strictly Ballroom is coming to the West End after it's National tour.


Review: FOLLIES at The National Theatre
By Joseph Wicks Monday, September 11 2017, 12:43
The National Theatre and director Dominic Cooke have created an exquisite, nuanced and stylish revival of Stephen Sondheim’s arching epic musical of nostalgia, memories, regret and hope. Every aspect of this production is lavish and flawless: the acting is sublime, each character is full and resonates with truth; the voices are remarkable; the orchestra just sings (masterfully conducted by Nigel Lilley); costume is elegant and every showgirl unique; Bill Deamer’s classy choreography ranges from achingly graceful to pure jazzy showbiz.
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