Harold Pinter’s friend, colleague and fellow playwright Patrick Marber (Closer) directs the 5th instalment of “Pinter at the Pinter” which runs until 26th January.
Reviews
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Review: PINTER 5 at the Harold Pinter Theatre
By Stuart King Wednesday, January 2 2019, 15:15


Review: THE TRAGEDY OF RICHARD II at the Almeida
By Nicky Allpress Friday, December 21 2018, 14:08
Joe Hill-Gibbins has created a brilliant snapshot of what it must be like inside the head of a leader in chaos.
First performed in 1597, you could be forgiven for thinking that the plot of King Richard II rings bells all over Brexit.


Review: CAROLINE OR CHANGE at the Playhouse Theatre
By Phil Willmott Thursday, December 20 2018, 15:24
This production, a collaboration between theatres in Chichester and Hampstead, got rave reviews at both venues and this West End tansfer looks set to wow a whole new audience.
Sharon D. Clarke (Caroline Thibodeaux) and Aaron Geldoff (Noah) in Caroline, or Change at the Playhouse Theatre


Review: AWFUL AUNTIE at The Bloomsbury Theatre
By Isabella James Sunday, December 16 2018, 21:15
David Walliams’ ever growing list of popular storybooks for children are bit by bit finding life in other mediums. Some have been turned into television adaptations, some into theatrical productions. Awful Auntie is the latest to be given life on stage and is playing at Bloomsbury Theatre over Christmas.


Review: THE CANE at the Royal Court
By Phil Willmott Saturday, December 15 2018, 07:18
THE CANE, my friend Mark Ravenhill’s first major play in 10 years, is about teachers.
Nicola Walker plays Anna, now an adviser for academy schools visiting her ex-teacher mother (Maggie Steed) and father (Alan Armstrong) as his hopes of a retirement celebration are thwarted by the revelation that he used to cane pupils back when it was legal.
Maggie Steed (Maureen) and Nicola Walker (Anna) in The Cane at the Royal Court. Photo credit Johan Persson.
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