The radicalisation of young disenchanted Muslims in western society has become a mainstay of fringe theatre writing of late and perhaps with some justification.
Reviews
Our reviews are written by independent theatregoers. If you're looking for unbiased and honest reviews, you're in the right place. And don't forget that the ratings on our website are compiled from real reviews from real customers.
29 Jan
Reviews 
Review: THE BELIEVERS ARE BUT BROTHERS at the Bush Theatre
By Stuart King Monday, January 29 2018, 08:43
26 Jan
Reviews 
Review: BEGINNING at the Ambassadors Theatre
By Phil Willmott Friday, January 26 2018, 11:23
The dance show STOMP has been playing at the Ambassadors Theatre for so long that I haven't been there for years and I had to remind myself where it was. STOMP has now left the building making room for a transfer of this exquisite play by David Eldridge.
It's one of those plays where nothing much apparently happens whitest at the same time it manages to explore some of the big themes that touch all our lives at one time or another.
23 Jan
Reviews 
Review: RITA, SUE AND BOB TOO at The Royal Court
By Nastazja Domaradzka Tuesday, January 23 2018, 12:56
Octagon Theatre Bolton and an Out of Joint co-production of Andrea Dunbar’s RITA, SUE AND BOB TOO endured a shaky road to the stage of The Royal Court. The Artistic Director of the theatre, Vicky Featherstone decided that in the light of recent events regarding sexual harassment in the industry this revival of Dunbar’s debut should not be part of The Royal Court season.
23 Jan
Reviews
Review: AMADEUS at The National Theatre
By Nastazja Domaradzka Tuesday, January 23 2018, 11:28
Following its massive success last year, Peter Shaffer’s legendary AMADEUS returns to the Olivier’s Stage at The National Theatre. Whether you are a fan of Miloš Forman’s film adaptation of Shaffer’s play, or you’ve never heard of the play before, you will not be disappointed by Michael Longhurst’s visually striking story of jealousy, genius and music.
19 Jan
Reviews 
Review: TWILIGHT: LOS ANGELES, 1992 at The Gate Theatre
By Justin Murray Friday, January 19 2018, 13:46
Anne Deavere Smith’s Twilight: Los Angeles, 1992 is theatre as communal autopsy. It’s an attempt to comprehend the riots which took place in the wake of the beating of taxi driver Rodney King by 4 police officers, and the overly lenient sentencing of Korean shopkeeper Soon Ja Du, who shot 15-year-old African American Latasha Harlins after an altercation in Du’s liquor store.
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