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Christian Durham

Christian Durham

Barnum
09 Dec
Reviews
Christian Durham

Review: BARNUM at the Menier Chocolate Factory

Barnum Phineas Taylor Barnum was the original ‘Greatest Showman on Earth’. He brazenly and unashamedly used ‘flim flam’ and humbug to entertain and occasionally hoodwink the general public in the 19th Century both in his time as a Circus impresario and as a politician. His philosophy was to ‘hook your attractions to the mood of the country’.

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The Girls
26 Feb
Reviews
Christian Durham

Review: THE GIRLS at the Phoenix Theatre

The Girls Tim Firth has completed the writing triple. A successful film, a popular play and now a musical based on the inspiring story of Yorkshire’s Rylstone & District Women’s Institute.

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The Threepenny Opera
27 May
Reviews
Christian Durham

Review: Threepenny Opera

The Threepenny Opera First a blazing production of Show Boat and now a barnstorming 3 Penny Opera has hit London for summer. Two very different pieces written less than a year apart in the late 1920’s that highlight just how powerful music theatre’s voice can be to both entertain and critique us at the same time.

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Show Boat - The Musical
25 Apr
Reviews
Christian Durham

Review: SHOW BOAT at the New London Theatre

Show Boat - The Musical In 1927 Jerome Kern and Oscar Hammerstein II took the courageous step of basing a musical on Edna Ferber’s novel exploring 40 years of a theatre company ‘s life on a Mississippi Riverboat. By doing so, they set off a chain reaction in the world of musical theatre that proved that this then trivial art form could comment on more serious aspects of the human condition. In Show Boat, alongside the usual but more developed vicissitudes of love, they threw the spotlight on racial prejudices in society.

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The Phantom Of The Opera - London
16 Apr
Reviews
Christian Durham

Review: PHANTOM OF THE OPERA at Her Majesty’s Theatre

The Phantom Of The Opera - London PHANTOM OF THE OPERA has been an integral part of the West End for over a generation. For years, it was a sold-out success and alongside other Andrew Lloyd Webber shows such as CATS, STARLIGHT EXPRESS and EVITA spread British musical theatre around the planet. So revisiting such a show after a quarter of a century brought with it some trepidation and nostalgia. However within 5 minutes of the show’s beginning I had forgotten I was there to review and was swept up in its visual and musical splendour.

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