
Phil Willmott


Catch the Best of Britain’s Opera Talent in an Important Revival at ENO
By Phil Willmott Saturday, January 6 2018, 07:47
Opera fans and contemporary music fans will delighted to hear the English National Opera (ENO) are to revive SATYAGRAHA composed by Philip Glass at their home, The Coliseum Theatre on St Martin’s Lane.
The piece has a libretto, Philip Glass and Constance DeJong and is based on the ancient Hindu text Bhagavad Gita. The conductor is Karen Kamensek and the director is Phelim McDermott.


What to Expect at Shakespeare’s Globe this Year
By Phil Willmott Friday, January 5 2018, 19:40
Michelle Terry the new Artistic Director of the Globe Theatre has announced her first season in charge of the replica Elizabethan Playhouse on London’s South Bank.
Here’s a beginners guide to each play in the repertoire.


2018 Preview: CHICAGO returns to the West End in March
By Phil Willmott Wednesday, December 27 2017, 15:14
Hooray! From the end of March 2018 the West End is going to get a little sassier, more cynical and fierce with a revival of the celebrated 1996 Broadway production of CHICAGO by the song writing team behind CABARET, Kander and Ebb.


Review: JACK AND THE BEANSTALK at the Wimbledon Theatre
By Phil Willmott Thursday, December 21 2017, 13:37
This 2017 pantomime at the Wimbledon theatre is back in the hands of producers Qdos, replacing First Family Entertainment who have brought a series of American stars to the venue in recent years.


Review: THE GRINNING MAN at Trafalgar Studios
By Phil Willmott Thursday, December 21 2017, 09:17
Christmas is a time for over indulgence and the West End’s latest new musical, THE GRINNING MAN, is an opportunity to relish a Grand Guignol excess of melodrama, theatricality, stage craft and emphatic dialogue; all peppered with knowing asides and drenched in a deceptively simple, original score from Tim Phillips and Marc Teitler.
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