
Stuart King


Review: OUR COSMIC DUST at Park Theatre
By Stuart King Tuesday, June 10 2025, 11:21
Michinari Ozawa’s OUR COSMIC DUST, adapted and translated by Susan Momoko Hingley, has breezed into the Park Theatre for a run until 5th July.
Our Cosmic Dust at Park Theatre. © Pamela Raith Photography


Review: MISS MYRTLE’S GARDEN at Bush Theatre
By Stuart King Sunday, June 8 2025, 09:36
Danny James King’s much anticipated MISS MYRTLE’S GARDEN opened this week at Bush Theatre. A funny, yet jarring and resonant family drama, it looks at the impact of a feisty matriarch’s cognitive decline, as past traumas and memories haunt her enjoyment of a placid and calm garden setting.
Left to right: Mensah Bediako (Melrose), Diveen Henry (Miss Myrtle), Gary Liburn (Eddie) in Miss Myrtle's Garden at Bush Theatre. Photo by Camilla Greenwell.


Review: A MIDSUMMER NIGHT’S DREAM at Bridge Theatre
By Stuart King Friday, June 6 2025, 10:46
I last saw Nick Hytner’s A MIDSUMMER NIGHT’S DREAM at Bridge Theatre back in June 2019 before the Covid pandemic was a twinkle in a Chinese lab technician’s test tube. The mysticism of Shakespeare’s woodland mayhem resonated then and remains potent, based as it is on the 1623 First Folio with circa 500 lines reassigned for modernising and comedy purposes.
Ali Goldsmith, Jemima Brown, Bella Aubin, Kat Collings in A Midsummer Night's Dream at The Bridge (Credit Manuel Harlan)


Review: LETTERS FROM MAX at Hampstead Theatre
By Stuart King Tuesday, June 3 2025, 10:58
Sarah Ruhl has produced this stage adaptation of her book LETTERS FROM MAX written with Max Ritvo in which her collaborator, a vibrant and energetic young intellectual aesthete, tackles the most taxing of human challenges.
Sirine Saba and Laura Moody in Letters from Max. Photo Helen Murray


Review: ELEPHANT at Menier Chocolate Factory
By Stuart King Friday, May 30 2025, 11:14
Given the checkered history of ivory and its interconnectedness with pianos, Africa and slavery, it’s somewhat surprising that no-one has previously thought to conjure a theatre piece which manages to incorporate these elements and tie them in with Empire and Britain’s ongoing struggle with its legacy class system.
Anoushka Lucas sat at piano in Elephant at Menier Chocolate Factory. Credit Manuel Harlan
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