After last year’s highly acclaimed “Blue Stockings”, Jessica Swale returns to Shakespeare’s Globewith her new play “Nell Gwynn”, a story about an orange seller girl turned actress, who becomes the mistress of King Charles II. Not only is this an incredible piece of writing, but it also guarantees an evening full of entertainment, laughs and socio-political references; all of which suit The Globe’s ambience and architecture more than perfectly.
Theatre News and Reviews


Review: Nell Gwynn at Shakespeare’s Globe
By Nastazja Domaradzka Friday, October 2 2015, 13:27


Review: The Barber Of Seville
By Kit Benjamin Friday, October 2 2015, 10:57
The Barber Of Seville, by Rossini, is one of best known and best beloved of operas. It’s well known to the non opera-going public (because it has that famous “Figaro, Figaro!” aria in it), and is a staple of the repertoire of most major companies.


Review: Pure Imagination at St James Theatre
By Phil Willmott Wednesday, September 30 2015, 17:23
Shows like this, which feature the back catalogue of popular song writers either within a story or, as here, in a cabaret presentation, often surprise you with quite how many of their hits you know.
I think it's fair to say that the extraordinary range of songs co-written by lyricist and composer Leslie Bricusse over a glorious 60 year career won't be familiar to you unless you were around in the 1960's and 70's when it was hard to leave the house without a Bricusse hit slapping you in the face.


Review: Lady Macbeth of Mtsensk
By Phil Willmott Wednesday, September 30 2015, 15:28
"Bleak" and "devastating" are two words you wouldn't expect to use describing a great evening's theatre yet the opening production of the English National Opera's (ENO) new season is all three of those things.
LADY MACBETH OF MTSENSK was written by the Russian composer Dmitri Shostakovich during the Stalin era and indeed the great dicator himself allegedly penned a front page newspaper editorial denouncing it as a decadent muddle and lamenting the lack of conventional tunes.


Review: THE COMMITMENTS at The Palace Theatre
By Phil Willmott Monday, September 28 2015, 11:36
The West End is always full of shows closing, some departures are barely noticed, some deserve to close but Shaftesbury Avenue is going to be poorer when THE COMMITMENTS finishes its two year at the Palace Theatre on November 1st where it’s played more than 1,000 performances since it originally opened on October 8, 2013.
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