Patrick Marber couldn’t be more unlucky regarding the timing of the opening of his production of VENUS IN FUR. Whilst the whole world is trying to deal with the revelations regarding Harvey Weinstein and the power of the #metoo movement stands an actual chance of enabling our society to finally face the harrowing reality of rape culture, Marber’s production of David Ives’ VENUS IN FUR, despite a fantastic performance from Natalie Dormer, seems like the most unnecessary and non-urgent piece of theatre one could watch right now.
Reviews
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Review: VENUS IN FUR at Theatre Royal Haymarket
By Nastazja Domaradzka Sunday, October 22 2017, 15:08


Review: A WOMAN OF NO IMPORTANCE at the Vaudeville Theatre
By Monty Leigh Saturday, October 21 2017, 07:02
The Vaudeville kicks off its exciting year-long Oscar Wilde season with A Woman of No Importance, directed by Dominic Dromgoole. It is a play packed full of Wilde’s zingy one liners and witty satire of upper-class society.


Review: ANNIE THE MUSICAL at Piccadilly Theatre
By Isabella James Friday, October 20 2017, 15:40
This West End revival of the 1972 musical ANNIE has all the hallmarks of a great night in London’s theatreland; uplifting songs, fast-paced dance numbers, stunning sets and a show-stopping performance from a dog.


Review: BEGINNING at the National Theatre
By Stuart King Thursday, October 19 2017, 10:45
The Dorfman, National Theatre, plays host to BEGINNING, a new play by David Eldridge set entirely within a Crouch End flat belonging to Laura (Justine Mitchell).


Review: WICKED at the Apollo Victoria Theatre
By Monty Leigh Tuesday, October 17 2017, 18:00
Wicked, the spellbinding musical that tells the story of the witches of Oz, has most recently glided into its 12th year smash hit at the Apollo Victoria, London. It has now surpassed Billy Elliot as one of the longest running musicals, becoming the 16th longest running show in London’s history.
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