FOUND111 is a beautifully intimate pop up theatre in the centre of London’s West End and is the perfect venue for the London Premiere of Unfaithful, a relatively new play by Owen McCafferty, which was first commissioned at The Traverse Theatre in 2014.
Reviews
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01 Sep
Reviews 
Review: UNFAITHFUL at FOUND111
By Stacey Tyler Thursday, September 1 2016, 13:55
29 Aug
Reviews 
Review: THEY DRINK IT IN THE CONGO at the Almeida Theatre
By Phil Willmott Monday, August 29 2016, 13:50
There’s a scene just before the interval of this harrowing, sometimes hilarious always illuminating play about conflict in the Congo which sums us just how complex the situation looks from a liberal western perspective.
A girl has been raped at gun point by rebel soldiers who have also forced her father to take part. A not uncommon experience in a country whose rebel fighters regularly use rape as a weapon. She lies shivering under a blanket and a waster aid worker urges a hysterical western observer to control her emotions and to only speak in a whisper.
23 Aug
Reviews 
Review: BIG SHOT at The London Irish Centre
By Jack Watson Tuesday, August 23 2016, 13:02
Big Shot won the “Spirit of the festival” award at the San Diego International Fringe Festival last year. We follow the story of Jeremy Crocker, a successful defense lawyer in New York City. Crocker falls in love with Carrie, an Irish artist who works in Crocker’s usual coffee stop. As they spend more time with each other there is a revelation that Carrie is very closely related to Croker’s new defence case.
22 Aug
Reviews
Review: 946 THE AMAZING STORY OF ADOLPHUS TIPS at the Globe
By Phil Willmott Monday, August 22 2016, 15:19
This show was my first visit to the venue under the new artistic directorship of Emma Rice. The atmosphere has certainly livened up a bit with a covers band playing blatantly amplified music and the use of stage lighting. Under previous regimes this move away from traditional Elizabethan theatre practices would have been unthinkable, the venue used to be lit with a flood lights giving the same general wash over stage and spectators throughout.
19 Aug
Reviews 
Review: SHANGHAI BALLET, ECHOES OF ETERNITY at ENO's Coliseum
By Stuart King Friday, August 19 2016, 14:00
Russian dancers fleeing the revolution first introduced the western art form of ballet to the city of Shanghai in the 1920s, with Madame Mao personally promoting the formation of China's national dance school in the 1950s. Xin Lili, herself one of the company's former leading dancers has been director for the past 15 years and advocates interpretation and inclusion of both western-inspired classics and more traditional, Chinese-stylised subjects.
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