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Reviews

The cast of The Motive and the Cue in the West End. © Mark Douet
20 Dec
Reviews
Stuart King

Review: THE MOTIVE AND THE CUE at Noel Coward

It’s 1964 and movie star Richard Burton (Johnny Flynn) is in rehearsals for a production of Hamlet on Broadway. The stakes could not be higher for the Welshman who’d tied the knot with Elizabeth Taylor (Tuppence Middleton) a mere three weeks before opening night. At the helm, Shakespearean titan Sir John Gielgud (Mark Gatiss) whose classical delivery and poetic appreciation for the text, inform his directorial style and are entirely at odds with Burton’s ferocious modern vision.

The cast of The Motive and the Cue in the West End. © Mark DouetThe cast of The Motive and the Cue in the West End. © Mark Douet

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Woody Harrelson (Jay Conway) and Andy Serkis (Leigh Carver) in Second Half Production's Ulster American at Riverside Studios - photo by Johan Persson
13 Dec
Reviews
Stuart King

Review: ULSTER AMERICAN at Riverside Studios

West London was awash with celebs for Wednesday evening’s opening of David Ireland’s comedy drama ULSTER AMERICAN which premiered at Riverside Studios Hammersmith, to a universally rapturous ovation from the enthralled audience… but what will critics make of it (especially when they were repeatedly disparaged during several actor-y onslaughts)?

Woody Harrelson (Jay Conway) and Andy Serkis (Leigh Carver) in Second Half Production's Ulster American at Riverside Studios - photo by Johan PerssonWoody Harrelson (Jay Conway) and Andy Serkis (Leigh Carver) in Second Half Production's Ulster American at Riverside Studios - photo by Johan Persson

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Nathaniel Parker & Jacob Fortune-Lloyd in Rock 'n' Roll. Credit Manuel Harlan
13 Dec
Reviews
Stuart King

Review: ROCK 'N' ROLL at Hampstead Theatre

With its slightly left of left-field title, Tom Stoppard’s 2006 work ROCK ‘N’ ROLL tells a generational love story through the political dissection and intellectual cut and thrust of 1960s European communism, particularly as it found a home in Czechoslovakia.

Nathaniel Parker & Jacob Fortune-Lloyd in Rock 'n' Roll. Credit Manuel HarlanNathaniel Parker & Jacob Fortune-Lloyd in Rock 'n' Roll. Credit Manuel Harlan

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Lisa Diveney and Joe Cole in The Homecoming at Young Vic. © Manuel Harlan
06 Dec
Reviews
Stuart King

Review: THE HOMECOMING at The Young Vic

US-based philosophy professorTeddy returns to his north London family home with his wife Ruth. His domineering father Max, together with brothers Joey, Lenny and chauffeur Uncle Sam exude a simmering testosterone-fuelled air which pervades the all-male home, as each attempts to dominate (with varying degrees of success) every conversation or situation, irrespective of context or subject. Was there ever written an uglier example of hierarchical and self-perpetuating toxic masculinity?

Lisa Diveney and Joe Cole in The Homecoming at Young Vic. © Manuel HarlanLisa Diveney and Joe Cole in The Homecoming at Young Vic. © Manuel Harlan

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Christina Kirk (Sofi), Kristine Neilsen (Ginnie), Brenda Pressley (Elaine), and Mia Katigbak (Yvette), in Infinite Life at the National Theatre. Photo credit Marc Brenner
04 Dec
Reviews
Stuart King

Review: INFINITE LIFE at National Theatre, Dorfman

When your body begins to fail you and grinding pain is your constant companion, what solace is there in thinking and sharing? Annie Baker’s sedate fly-on-the-wall contemplation set at a Northern California medical retreat, offers audiences a chance to wistfully meditate on the bizarrely engaging experiences of those suffering medical afflictions at a treatment centre.

Christina Kirk (Sofi), Kristine Neilsen (Ginnie), Brenda Pressley (Elaine), and Mia Katigbak (Yvette), in Infinite Life at the National Theatre. Photo credit Marc BrennerChristina Kirk (Sofi), Kristine Neilsen (Ginnie), Brenda Pressley (Elaine), and Mia Katigbak (Yvette), in Infinite Life at the National Theatre. Photo credit Marc Brenner

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