Reviews

Our team of experienced theatre critics share their thoughts, insights, and critiques about all the top shows in London's West End and Fringe.

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Review: THE CUTTING EDGE at Arcola Theatre

21 Feb

Reviews

Review: THE CUTTING EDGE at Arcola Theatre by Stuart King 21 February 2020 at 09:28

Review: THE VISIT at the National Theatre

18 Feb

Reviews

Review: THE VISIT at the National Theatre by John Yap 18 February 2020 at 16:36

Review: THE LESSON at the Old Red Lion Theatre

17 Feb

Reviews

Review: THE LESSON at the Old Red Lion Theatre by Justin Murray 17 February 2020 at 08:29

Review: OPERA UNDONE: TOSCA & LA BOHEME at the Trafalgar Studios 2

14 Feb

Reviews

Review: OPERA UNDONE: TOSCA & LA BOHEME at the Trafalgar Studios 2 by Josephine Balfour-Oatts 14 February 2020 at 09:58

Review: MUSIK at Leicester Square Theatre

12 Feb

Reviews

Review: MUSIK at Leicester Square Theatre by Stuart King 12 February 2020 at 10:45

Review: DEATH OF ENGLAND at The National Theatre

12 Feb

Reviews

Review: DEATH OF ENGLAND at The National Theatre by Nastazja Domaradzka 12 February 2020 at 06:48

Review: THE HAYSTACK at Hampstead Theatre

11 Feb

Reviews

Review: THE HAYSTACK at Hampstead Theatre by Stuart King 11 February 2020 at 11:02

Review: THE WEDDING SINGER at Troubadour Wembley Park Theatre

07 Feb

Reviews

Review: THE WEDDING SINGER at Troubadour Wembley Park Theatre by John Yap 7 February 2020 at 18:55

Review: ALICE’S ADVENTURES UNDER GROUND at The Royal Opera House, Covent Garden

05 Feb

Reviews

Review: ALICE’S ADVENTURES UNDER GROUND at The Royal Opera House, Covent Garden by Stuart King 5 February 2020 at 09:01

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100% Honest Reviews. All show reviews are written by independent theatregoers, directors, or actors. All views expressed in these articles are those of the authors and do not necessarily represent the views of London Box Office.

Not every review published by London Box Office includes a star rating. Where no rating is shown, our reviewer has chosen to share their thoughts and observations without assigning a numerical score. This allows us to provide balanced editorial coverage while encouraging readers to form their own opinions about the production.