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Phil Willmott

Phil Willmott

Matt Cardle
10 Aug
Casts
Phil Willmott

The West End has Two New Leading Men

Matt Cardle Producers are always looking for ways to refresh long running shows and the most tried and tested method is to cast performers who have public profile. Following this tradition two of the biggest shows in the West End at the moment PHANTOM OF THE OPERA and STRICTLY BALLROOM have announced newcomers to their cast who you may already have heard of.

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For Reasons That Remain Unclear
01 Aug
Reviews
Phil Willmott

Review: FOR REASONS THAT REMAIN UNCLEAR at The Kings Head

For Reasons That Remain Unclear In 1968 American playwright Mart Crowley secured his place in theatre and LGBT history with his ground breaking work THE BOYS IN THE BAND, the world’s first commercially successful play with openly gay characters. In this seminal work a group of men gather for a party and drink a lot, and say viscous things to each other (as we sometimes do). This is a later play, from 1993.

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Exit The King - National Theatre
28 Jul
Reviews
Phil Willmott

Review: EXIT THE KING at The National Theatre

Exit The King - National Theatre Frustrating though it definitely becomes I think this is exactly the kind of play the National Theatre should be producing amidst their recent hit and miss new writing and box-office certs like FOLLIES and AMADEUS.

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Alexandra Burke
26 Jul
Casts
Phil Willmott

The Sexy Secret of Chicago’s Success

Alexandra Burke New stars have just been announced for the West End musical Chicago.

The producers remind us “The show currently stars new wave pop star (Spandau Ballet) and Eastenders regular Martin Kemp as the razzle dazzling lawyer Billy Flynn. He will be in the London production until 1 September 2018.

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Ian McKellen in King Lear
26 Jul
News
Phil Willmott

The Mysteries of King Lear

Ian McKellen in King Lear With Shakespeare’s masterpiece KING LEAR back in the West End at the Duke of York’s Theatre and starring Ian McKellen here are six mysteries to look out for at the heart of the play, puzzles which all directors and actors must grapple with during rehearsals.

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