Stuart King
19 Oct
Reviews 
Review: BEGINNING at the National Theatre
By Stuart King Thursday, October 19 2017, 10:45
The Dorfman, National Theatre, plays host to BEGINNING, a new play by David Eldridge set entirely within a Crouch End flat belonging to Laura (Justine Mitchell).
11 Oct
Reviews
Review: HEISENBERG: THE UNCERTAINTY PRINCIPLE - Wyndhams Theatre
By Stuart King Wednesday, October 11 2017, 10:01
Simon Stephens’ two-hander, Heisenberg: The Uncertainty Principle first seen on Broadway back in 2015, pairs the superb talents of Anne Marie Duff with Kenneth Cranham for the play's West End run at Wyndhams Theatre.
06 Oct
Reviews
Review: WHAT SHADOWS, Park Theatre
By Stuart King Friday, October 6 2017, 13:04
At a time when the subject of immigration has re-emerged as a political hot potato - as it was in the late 1960s - WHAT SHADOWS (currently playing at The Park Theatre), examines the life of Conservative minister Enoch Powell, whose contribution to the debate about Englishness and national identity through his Birmingham ("Rivers of Blood") anti-immigration speech, marked him out as both an influential orator and one of the most divisive politicians of the 20th century.
26 Sep
Reviews
Review: RAMONA TELLS JIM, Bush Theatre
By Stuart King Tuesday, September 26 2017, 12:17
Ramona and Jim meet as teenagers in the Scottish Highlands. He's local, she's on a field trip from Englandshire. They are quirky, nerdy, articulate (in that weirdly teenage kinda way) and physically awkward (again, in that weirdly teenage kinda way)! Also, their hormones are clearly running riot, for it soon becomes apparent that they are immensely attracted to each other.
25 Sep
Reviews
Review: SCHOOL OF ROCK at the New London Theatre
By Stuart King Monday, September 25 2017, 12:22
Andrew Lloyd-Webber and Julian Fellowes (hardly the types generally associated with rebelliousness), are ‘the talent’ behind this stage adaptation of Richard Linklater’s 2003 film, in which a down-on-his-luck, guitar-playing slob, Dewey Finn (played with gusto in the West End by Gary Trainor), surreptitiously wangles a job as a supply teacher at a posh prep school, where he introduces his already musically talented young charges, to the joys of rock.
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