I last saw Nick Hytner’s A MIDSUMMER NIGHT’S DREAM at Bridge Theatre back in June 2019 before the Covid pandemic was a twinkle in a Chinese lab technician’s test tube. The mysticism of Shakespeare’s woodland mayhem resonated then and remains potent, based as it is on the 1623 First Folio with circa 500 lines reassigned for modernising and comedy purposes.
Ali Goldsmith, Jemima Brown, Bella Aubin, Kat Collings in A Midsummer Night's Dream at The Bridge (Credit Manuel Harlan)