Shakespeare’s comedy of gender swapping lovers and philosophising in a forest is problematic for modern audiences.
Rosalind and Celia, two princess types fleeing an overbearing duke, escape with the court jester to a forest where the former and overthrown duke hangs out with his witty exiled court. They learn about love by observing the shepherds and via Rosalind disguising herself as a boy and making friends with Orlando, the man she fancies, to help him practice how to chat her up.