ANNIE, based on the iconic Harold Gray comic strip of the 1930’s, is the story of an 11 year-old foundling’s search for her parents. As I am sure we all know, she is taken in at Christmas by multi-millionaire Oliver Warbucks who ultimately adopts her when she discovers, after numerous plot twists, that her parents have passed away.
Seeing the show again as an adult I was consistently struck by the strength of the book and score. This is a smart, touching, classically constructed Broadway musical that Foster has managed to imaginatively re-boot whilst still retaining its essence. He is ably assisted by Nick Winston’s creative high-energy choreography and Colin Webster’s attractive, if somewhat reminiscent of MATILDA’s, set.
This is a smart, touching, classically constructed Broadway musical that Foster has managed to imaginatively re-boot whilst still retaining its essence
Any production of ANNIE succeeds or fails, of course, on the strength of the child actors and here Foster has done a tremendous job. On the night I saw it (the show has three rotating children casts) Isabella Pappas as Annie was superb. She gave a believable, heartfelt performance with a voice that was both sweet and powerful. The rest of the orphans danced beautifully and never veered into cutesy child acting territory. As Miss Hannigan, the big draw stunt casting, Craig Revel Horwood sang with surprising power and played the part straight, so to speak, whilst still managing to garner big laughs. In fact the entire cast was spot on.
Having listened to the score of ANNIE for over thirty five years I can’t conclude this review without commending David Shrubsole’s lively new orchestrations which made all the songs sound fresh. So if you only know ANNIE from the bloated 1982 Hollywood film version treat yourself and your kids by catching this delightful new production of a Broadway classic.