Reviews

Our team of experienced theatre critics share their thoughts, insights, and critiques about all the top shows in London's West End and Fringe.

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Review: A MIDSUMMER NIGHT'S DREAM at Regent's Park Open Air Theatre

04 Jul

Reviews

Review: A MIDSUMMER NIGHT'S DREAM at Regent's Park Open Air Theatre by Marian Pashley 4 July 2019 at 14:43

Review: BOY TOY at Above the Stag Theatre

01 Jul

Reviews

Review: BOY TOY at Above the Stag Theatre by Phil Willmott 1 July 2019 at 10:53

Video review: ADRIAN MOLE THE MUSICAL at the Ambassadors Theatre

25 Jun

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Video review: ADRIAN MOLE THE MUSICAL at the Ambassadors Theatre by The Break A Leggers 25 June 2019 at 15:30

24 Jun

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Review: EUROPE at the Donmar Warehouse by Stuart King 24 June 2019 at 14:30

Review: THE LIGHT IN THE PIAZZA at the Royal Festival Hall

24 Jun

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Review: THE LIGHT IN THE PIAZZA at the Royal Festival Hall by Tim Winter 24 June 2019 at 14:23

Review: THE DAMNED at The Barbican Theatre

24 Jun

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Review: THE DAMNED at The Barbican Theatre by Phil Willmott 24 June 2019 at 14:07

Review: AFTER DARK at The Finborough Theatre

24 Jun

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Review: AFTER DARK at The Finborough Theatre by Nicky Allpress 24 June 2019 at 09:52

Review: TRAGIC SCENES OF LEGENDARY WOMEN WHERE SNAKES WERE (KIND OF) PRESENT at the Blue Elephant Theatre

24 Jun

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Review: TRAGIC SCENES OF LEGENDARY WOMEN WHERE SNAKES WERE (KIND OF) PRESENT at the Blue Elephant Theatre by Justin Murray 24 June 2019 at 09:47

Review: THE SECRET DIARY OF ADRIAN MOLE AGED 13¾ at the Ambassadors Theatre

19 Jun

Reviews

Review: THE SECRET DIARY OF ADRIAN MOLE AGED 13¾ at the Ambassadors Theatre by Stuart King 19 June 2019 at 11:12

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100% Honest Reviews. All show reviews are written by independent theatregoers, directors, or actors. All views expressed in these articles are those of the authors and do not necessarily represent the views of London Box Office.

Not every review published by London Box Office includes a star rating. Where no rating is shown, our reviewer has chosen to share their thoughts and observations without assigning a numerical score. This allows us to provide balanced editorial coverage while encouraging readers to form their own opinions about the production.