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Our reviews are written by independent theatregoers. If you're looking for unbiased and honest reviews, you're in the right place. And don't forget that the ratings on our website are compiled from real reviews from real customers.

Reviews

Ghost Stories
14 Oct
Reviews
John Yap

Review: GHOST STORIES at The Ambassadors Theatre

Ghost Stories Nine years after its premiere at the Lyric Hammersmith Theatre in 2010, GHOST STORIES returns to London for the fourth time (Duke of York Theatre 2010, Arts Theatre 2014, Lyric Hammersmith Theatre again 2019). A movie was made in the midst of an International tour from Moscow to Shanghai via Lima, Sydney and Toronto. As the main character, Professor Goodman, asks the audience at the start of the show, “Why did you come to see this play?”. Why indeed, but they do.

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Noises Off
14 Oct
Reviews
Marian Pashley

Review: NOISES OFF at the Garrick Theatre

Noises Off Noises Off is classic farce, very well constructed, and as complex and silly as you would expect.

It also, by default, feels quite dated.

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School of Rock the Musical
14 Oct
Reviews
Miriam Gibson

Review: School Of Rock at the Gillian Lynne Theatre

School of Rock the Musical Next month, School of Rock will celebrate the third anniversary of its opening night at the Gillian Lynne Theatre. It’s a faithful and fun adaptation of the Jack Black movie, but there are some distracting flaws in its writing and production.

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Variant 31
11 Oct
Reviews
Justin Murray

REVIEW: VARIANT 31 at Space 18, New Oxford Street

Variant 31 I was a little confused as to what to make of my visit to the controversial, long-dormant Toxico Technologies for the round of test subjects known as VARIANT 31. Upon entry, my plus-one and I are fitted with a medical wristband and told our main objective is to tap this wristband on as many different blue glowing points in the gaming area as possible in order to earn points.

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Gentlemen Prefer Blondes
09 Oct
Reviews
Phil Willmott

Review: GENTLEMEN PREFER BLONDES at the Union Theatre

Gentlemen Prefer Blondes It was interesting to see this delightful pocket sized revival of a classic musical, created by friends and associates of mine, two days after seeing ORPHEUS IN THE UNDERWORLD at English National Opera.

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