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Our reviews are written by independent theatregoers. If you're looking for unbiased and honest reviews, you're in the right place. And don't forget that the ratings on our website are compiled from real reviews from real customers.

Reviews

How Love is Spelt
08 Sep
Reviews
Stuart King

Review: HOW LOVE IS SPELT at Southwark Playhouse

How Love is Spelt Fifteen years after it premiered at The Bush Theatre, HOW LOVE IS SPELT by Chloë Moss, receives a timely revival at Southwark Playhouse.

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Magic Mike Live
08 Sep
Reviews
Nicola Wright

Review: MAGIC MIKE LIVE at The Hippodrome Casino

Magic Mike Live Arriving at the specially refurbished theatre space at London's Hippodrome Casino, I was greeted by an enthusiastic young man eager to know if I was excited for what I was about to experience. My honest answer was ...I wasn’t sure.

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The Crown Dual
06 Sep
Reviews
Stuart King

Review: THE CROWN DUAL at Wilton’s Music Hall

The Crown Dual The charmingly fusty environs of Wilton’s Music Hall play host to one of this year’s Edinburgh Fringe successes - THE CROWN DUAL - a frenetic, sometimes slapstick homage to (and parody of), the Netflix multi-award winning drama about the royals.

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Diana (Lindsay Duncan) and Robin (Alex Jennings) in Hansard at the National Theatre. Photo by Catherine Ashmore
04 Sep
Reviews
Stuart King

Review: HANSARD at the National Theatre

Tory politicians have been much in the news of late. At the National’s Lyttelton, another (this time fictitious) Eton-spawned grandee, is placed front and centre in newcomer Simon Woods’ first commissioned play, HANSARD.

Diana (Lindsay Duncan) and Robin (Alex Jennings) in Hansard at the National Theatre. Photo by Catherine AshmoreDiana (Lindsay Duncan) and Robin (Alex Jennings) in Hansard at the National Theatre. Photo by Catherine Ashmore

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The Secret River - National Theatre
03 Sep
Reviews
Phil Willmott

Review: THE SECRET RIVER at the National Theatre

The Secret River - National Theatre There’s so much that’s satisfying and so much that’s frustrating about Andrew Bovell’s adaptation of Kate Grenville’s novel about early British settlers in Australia.

It’s a production by Sydney Theatre Company from 2013 that is apparently something of a classic in antipodean theatre.

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