Presented as part of the inaugural Chinese Arts Now (CAN) festival but extending its run for Camden People's Theatre's Spring season, Jennifer Tang's excellent Ghost Girl // Gwei Mui 鬼妹 deserves as large an audience it can get.
Reviews
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Review: GHOST GIRL // GWEI MUI 鬼妹 at The Camden People's Theatre
By Tim Winter Monday, January 28 2019, 10:58


Review: NOTRE DAME DE PARIS at the London Coliseum
By Phil Willmott Saturday, January 26 2019, 07:33
Over 13 million people have seen this French rock musical across the world since its premiere in 1998. There’s no reason why you shouldn’t enjoy it too as long as you can accept it for what it is and understand that it was conceived to appeal to a broad international audience 20 years ago rather than the tastes of London theatregoers today.


Review: WHEN WE HAVE SUFFICIENTLY TORTURED EACH OTHER at the National Theatre
By Phil Willmott Wednesday, January 23 2019, 22:05
Tickets for the entire run of this sold out even before rehearsals finished so keen were we all to see movie star Cate Blanchett performing in the intimate Dorfman Theatre (at the National Theatre)
Cate Blanchett in When We Have Sufficiently Tortured Each Other - photo by Stephen Cummiskey


Review: ORIGINAL DEATH RABBIT at Jermyn Street Theatre
By Tim Winter Friday, January 18 2019, 21:58
Originally written as a play for Radio 4, Rose Heiney has adapted her often disturbing monologue for the stage and the intimacy of the tiny Jermyn Street Theatre is the perfect space to experience it.


Review: THE DAUGHTER IN LAW at the Arcola Theatre
By Phil Willmott Thursday, January 17 2019, 19:12
Expect to see a lot of D.H. Lawrence as the work of the renowned novelist has recently entered the public domain. He also wrote plays and every ten years or so we’re delighted afresh to rediscover them.
Ellie Nunn (Minnie Gascoyne) and Matthew Biddulph (Joe Gascoyne) in The Daughter-in-Law at the Arcola Theatre. Photography Idil Sukan.
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