For the twelfth year running, The Annual London Improvathon is taking over Wilton’s Musical Hall for a whole weekend of improvisation. Starting at 7pm on Friday and running straight through until Sunday night.
Reviews
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Review: THE GOOD, THE BAD & THE FIFTY The 12th Annual London Improvathon
By Isabella James Sunday, February 17 2019, 17:32


Review: THE WINTER’S TALE at the National Theatre
By Hugo Nicholson Thursday, February 14 2019, 14:20
When looking to introduce children to Shakespeare, The Winter’s Tale might not seem like an especially sensible place to start. Despite its universal themes (love, forgiveness, jealous), its focus on young people, and the famous bear-based stage direction, the play’s wildly convoluted plot is enough to leave any audience utterly perplexed, no matter their age.


Second Look: COMPANY at the Gielgud Theatre
By Tim Winter Monday, February 11 2019, 08:55
Walking along West End's Shaftesbury Avenue, it's easy to get blinded by the number of four and five star reviews on the billboards outside the theatres for all the shows. Can they ALL be that good?
Rosalie Craig, Richard Henders and Jennifer Saayeng in Company at the Gielgud Theatre.


Review: GOOD DOG at Watford Palace Theatre
By Nastazja Domaradzka Friday, February 8 2019, 12:39
Following the success of its tour in 2017, tiata fahodzi company revives Arinze Kene’s GOOD DOG. A story about the reality of living in austerity Britain, explored through the prism of one boy’s adolescence, GOOD DOG is full of sensitive observation and vivid images. Although not without its flaws, the production is a roller-coaster of storytelling, and further proof that Arinze Kene is quickly becoming one of the most crucial voices in contemporary British theatre.


Review: GHOST GIRL // GWEI MUI 鬼妹 at The Camden People's Theatre
By Tim Winter Monday, January 28 2019, 10:58
Presented as part of the inaugural Chinese Arts Now (CAN) festival but extending its run for Camden People's Theatre's Spring season, Jennifer Tang's excellent Ghost Girl // Gwei Mui 鬼妹 deserves as large an audience it can get.
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