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Our reviews are written by independent theatregoers. If you're looking for unbiased and honest reviews, you're in the right place. And don't forget that the ratings on our website are compiled from real reviews from real customers.

Reviews

Richard Harrington as Johnny and Katherine Parkinson as Judy in Home I'm Darling Photo by Manuel Harlan
03 Aug
Reviews
Nicky Allpress

Review: HOME, I’M DARLING at The Dorfman Theatre

Katherine Parkinson is candy stripe heaven, dusting and jiving, fixing her Johnny a Gimlet as he walks in the door, but Judy is hiding her worries in a mixing bowl.

Richard Harrington as Johnny and Katherine Parkinson as Judy in Home I'm Darling Photo by Manuel HarlanRichard Harrington as Johnny and Katherine Parkinson as Judy in Home I'm Darling. Photo by Manuel Harlan

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House on Haunted Hill
03 Aug
Reviews
Monty Leigh

Review: HOUSE ON HAUNTED HILL at the Tara Theatre then the Pleasance Dome at Edinburgh Fringe

House on Haunted Hill Self proclaimed ‘professional idiots’ The Lampoons revive their re-imagining of William Castle’s 1959 American Film Horror “The House On Haunted Hill” – a film starring Vincent Price who offers a $10,000 prize to five strangers if they are able to survive one night at his haunted house. The Lampoons are off to Edinburgh, and I highly encourage you add them to your list.

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Allelujah! at the Bridge Theatre
01 Aug
Reviews
Stuart King

Review: ALLELUJAH! at the Bridge Theatre

Allelujah! at the Bridge Theatre Playwright and all-round northern saint Alan Bennett was and always shall remain middle-aged. In reality of course, he is now an octogenarian, but he pervaded an air of '40-something' in his youth and never quite relieved himself of the habit.

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For Reasons That Remain Unclear
01 Aug
Reviews
Phil Willmott

Review: FOR REASONS THAT REMAIN UNCLEAR at The Kings Head

For Reasons That Remain Unclear In 1968 American playwright Mart Crowley secured his place in theatre and LGBT history with his ground breaking work THE BOYS IN THE BAND, the world’s first commercially successful play with openly gay characters. In this seminal work a group of men gather for a party and drink a lot, and say viscous things to each other (as we sometimes do). This is a later play, from 1993.

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Exit The King - National Theatre
28 Jul
Reviews
Phil Willmott

Review: EXIT THE KING at The National Theatre

Exit The King - National Theatre Frustrating though it definitely becomes I think this is exactly the kind of play the National Theatre should be producing amidst their recent hit and miss new writing and box-office certs like FOLLIES and AMADEUS.

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