The waiting room after death resembles a doctor’s reception room in Alex Berry’s design – Joe Price’s flickering lighting design showcases it as a bit rundown and in need of some TLC. It fits the current public sector in many ways, as those that enter prepare themselves for their interview to determine where to go on to. Upstairs or downstairs are the choices that receptionist Eve (Emma Dennis-Edwards) gives the new patients/ applicants. Dennis-Edwards is ballsy and blunt, a stereotypical administrator who is more concerned with what to have for lunch than the fate of the people that pass through the doors.
Reviews
Our reviews are written by independent theatregoers. If you're looking for unbiased and honest reviews, you're in the right place. And don't forget that the ratings on our website are compiled from real reviews from real customers.
18 Sep
Reviews 
Review: GATE at the Cockpit Theatre
By Daniel Perks Monday, September 18 2017, 09:37
16 Sep
Reviews 
Review: BOUDICA at The Globe
By Nastazja Domaradzka Saturday, September 16 2017, 11:19
As Emma Rice leaves The Globe Theatre in the spring of 2018 she leaves behind a legacy, a legacy that has changed The Globe indefinitely. Shared light or no shared light Rice has transformed a “museum theatre” and a tourist attraction into a venue that is now seen as relevant and approachable as it once again lures people of all backgrounds, ages and classes, by staging productions which are rooted in universal socio-political truths. The world premiere of Tristan Bernay’s BOUDICA is no different, as it puts a famous tribal heroine centre stage and aims to make a comment about the current political climate in Britain.
13 Sep
Reviews 
Review: THE BLINDING LIGHT at Jermyn Street Theatre
By David Scotland Wednesday, September 13 2017, 09:14
There is frequently added examination of the first production by a new Artistic Director of a venue, in search of an indication of what is to come. This is the dubious honour currently bestowed upon Tom Littler as he opens his first season as Artistic Director of the Jermyn Street Theatre. If The Blinding Light, a new play by Howard Brenton, is a statement of intent then Jermyn Street looks to be at the forefront of London fringe theatre for the foreseeable future thanks to a combination of interesting writing and compelling performances.
12 Sep
Reviews
Review: THE PROVOKED WIFE at The Hope Theatre
By David Scotland Tuesday, September 12 2017, 15:11
Restoration Comedy is not usually a ‘go to’ genre for a young theatre company but that is exactly the nature of the latest production by Marooned Theatre. John Vanbrugh wrote The Provoked Wife in 1697 but this staging, currently playing at the Hope Theatre in Islington, drags the play into the 21st Century by setting it at a modern day music festival. The result is not dissimilar to seeing an episode of Made in Chelsea reenacted on stage.
11 Sep
Reviews 
Review: FOLLIES at The National Theatre
By Joseph Wicks Monday, September 11 2017, 12:43
The National Theatre and director Dominic Cooke have created an exquisite, nuanced and stylish revival of Stephen Sondheim’s arching epic musical of nostalgia, memories, regret and hope. Every aspect of this production is lavish and flawless: the acting is sublime, each character is full and resonates with truth; the voices are remarkable; the orchestra just sings (masterfully conducted by Nigel Lilley); costume is elegant and every showgirl unique; Bill Deamer’s classy choreography ranges from achingly graceful to pure jazzy showbiz.
« previous articles - page 182 of 254 - next articles »