Ron Elisha’s Window is a relaxed, natural two-hander that charts the emotional strain inherent in any couple’s relationship. Except in this case, the fights and fears that Grace (Idgie Beau) and Jimmy (Charles Warner) experience are reactions to their unexpected involvement in the sex life of a naked couple living across the street. At first, it’s a fascination, a piece of real-life entertainment – something to watch when curled up in bed with popcorn. But it quickly warps into a bleak mirror that reflects insecurities in their own marriage back at them. In this case, this is a Window into the soul.
Reviews
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11 Sep
Reviews 
Review: WINDOW – Bread and Roses Theatre, London
By Daniel Perks Monday, September 11 2017, 10:44
31 Aug
Reviews 
Review: LIONS AND TIGERS at The Sam Wanamaker Playhouse, Shakespeare’s Globe
By Phil Willmott Thursday, August 31 2017, 10:23
To mark the 70th anniversary of India’s independence the Globe theatre have commissioned playwright Tanika Gupta to dramatise key events in the lead up to the partition of what was formerly British India. As a central focus Gupta adapts her family history concerning her grandfather’s brother Dinesh, a Bengali revolutionary (or terrorist and would-be martyr depending on your perspective) drawing upon his letters written during imprisonment.
31 Aug
Reviews
Review: GIRL FROM THE NORTH COUNTRY at the Old Vic
By Phil Willmott Thursday, August 31 2017, 07:48
I'd heard conflicting things about this show, most of the reviews have been glowing but the New York Times critic and a few of my friends had been less enthusiastic.
I'm glad I didn't listen to them and checked it out for myself because I thought it exceptional.
24 Aug
Reviews
Review: LOOT at the Park Theatre
By Phil Willmott Thursday, August 24 2017, 13:50
I can remember a time when productions of Joe Orton's comedies were as ubiquitous as Noel Coward's.
Although stylistically these gay writers couldn't be more different, both their work symbolised a theatrical era. If Coward was all about a mid Twentieth Century style and wit that has turned out to have timeless appeal, the spiky, surreal, dark humour of Orton's writing, conceived to shock and be anti-establishment in the 1960s, can either be roll-on-the floor hilarious or seem dated, infantile and tedious depending on the national mood of the decade in which it's performed.
24 Aug
Reviews
Review: Understudy Katy Brittain triumphs in CAT ON A HOT TIN ROOF at the Apollo Theatre
By Phil Willmott Thursday, August 24 2017, 09:44
I finally caught up with the much anticipated, much acclaimed West End revival of Cat on A Hot Tin Roof.
I'm happy to confirm that Sienna Miller as Maggie, the nervy and glamorous neglected wife of an ex-athlete and cat of the title, is as good as the reviews say (even on a Saturday matinee when some stars in other productions have been known to “phone it in”).
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