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Phil Willmott

Phil Willmott

King Lear - Ian McKellen
09 Feb
New Shows
Phil Willmott

Don’t miss Sir Ian McKellen as King Lear

King Lear - Ian McKellen This one’s going to sell out fast so book very, very soon.

 

One of our greatest actors, Ian McKellen, will be reprising his performance as King Lear when the highly acclaimed production of Shakespeare’s masterpiece transfers to the Duke of York’s Theatre this Spring.

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The Birthday Party
03 Feb
Reviews
Phil Willmott

Review: THE BIRTHDAY PARTY at the Harold Pinter Theatre

The Birthday PartyAny playwright whose first production is trashed by the critics can take comfort in the career of Harold Pinter.

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Beginning - Play - Ambassadors Theatre
26 Jan
Reviews
Phil Willmott

Review: BEGINNING at the Ambassadors Theatre

Beginning - Play - Ambassadors Theatre The dance show STOMP has been playing at the Ambassadors Theatre for so long that I haven't been there for years and I had to remind myself where it was. STOMP has now left the building making room for a transfer of this exquisite play by David Eldridge.

It's one of those plays where nothing much apparently happens whitest at the same time it manages to explore some of the big themes that touch all our lives at one time or another.

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Myth - The Rise and Fall of Orpheus
20 Jan
New Shows
Phil Willmott

A New Musical will Explore Mental Illness and Addiction in the Rock Music Business

Myth - The Rise and Fall of Orpheus A new musical which sounds rather promising has been announced, premiering at The Other Palace, Andrew Lloyd Webber’s venue for trying out new shows.

It’s entitled MYTH: THE RISE AND FALL OF ORPHEUS and it’s to be directed by Arlene Phillips and has been written by Sam Cassidy.

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The King and I
20 Jan
News
Phil Willmott

Classic Musical THE KING AND I Returns to London and You’re in for a Treat!

The King and I One of the shows I'm most excited about seeing this year is the London transfer of the last Broadway production of THE KING AND I.

I saw it at the Lincoln Centre and I promise you it’s absolutely exquisite as directed by the rather brilliant Bartlet Sher. I know the piece really well having directed it myself and I was amazed at how Sher had made such absolute sense of it that many of the scenes in this production were a revelation.

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