
Stuart King


Review: THE END OF THE NIGHT at Park Theatre
By Stuart King Tuesday, May 3 2022, 22:32
During the final days of Germany’s crumbling Third Reich, the once efficient and mechanised nation has become a volatile and dangerous place, with the lives of potentially thousands of concentration camp inmates hanging in the balance. In Ben Brown’s new play, physiotherapist Felix Kersten (Michael Lumsden) attempts to convene a secret meeting between his Nazi patient Heinrich Himmler (Richard Clothier) and a Swedish member of the World Jewish Congress, Norbert Masur (Ben Caplan).


Review: & JULIET at the Shaftesbury Theatre
By Stuart King Wednesday, April 27 2022, 10:11
Maintaining its freshness and bubbly energy with a recent cast change, the jukebox musical & Juliet (which has occupied the Shaftesbury Theatre on and off, since November 2019) looks set to continue wowing it’s Prosecco guzzling audiences well into the future.


Review: PRIMA FACIE at the Harold Pinter Theatre
By Stuart King Sunday, April 24 2022, 22:06
In Suzie Miller’s play Prima Facie currently playing at the Harold Pinter Theatre, Jodie Comer plays Tessa, a barrister who during the course of her young career has stood assuredly in courtrooms on countless occasions in close proximity to men who have been accused of rape. But how does that dynamic change once she herself becomes a victim at the hands of a male colleague with an equally promising legal career?


Review: LOHENGRIN at Royal Opera House
By Stuart King Saturday, April 23 2022, 23:30
During the Medieval period, the Germanic speaking nations of Europe were a hotbed of invention for folkloric tales often involving heroes with supernatural powers, chivalry and tests of faith. Richard Wagner used material from one such epic 15th century poem Lorengel as the major source for the libretto when composing his 3-Act opera Lohengrin set originally in 10th century Antwerp.
(King Heinrich) Gábor Bretz, ROH Lohengrin 2022, Ph.Clive Barda.


Review: THE 47th at The Old Vic
By Stuart King Tuesday, April 12 2022, 08:51
The Old Vic plays host to Mike Bartlett’s latest blank verse, socio-political drama The 47th directed by Rupert Goold who also took the helm for the playwright’s other noteworthy future history effort King Charles III at the Almeida in 2014.
Tamara Tunie (Kamala Harris) and Bertie Carvel (Donald Trump) in The 47th at The Old Vic. Photo by Marc Brenner.
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