Sarah Kane’s final play 4.48 Psychosis has become integrated into theatrical legend since its posthumous premiere in 2000, a delirious expression of depression and suicidal thoughts told through fragmented scenes and evocative poetry.
West End Theatre News and Reviews
26 Sep
Reviews 
Review: 4.48 PSYCHOSIS at the New Diorama Theatre
By Alex Benjamin Wednesday, September 26 2018, 10:07
26 Sep
Reviews 
Review: ALADDIN at the Prince Edward Theatre
By Nicole Acquah Wednesday, September 26 2018, 09:03
How can I sum up Aladdin at the Prince Edward Theatre in one word?
Well, that's easy: Magical.
Aladdin (Matthew Croke) and Jasmine (Jade Ewen) wedding scene - photo by Deen van Meer
26 Sep
Reviews 
Review: DUST at Trafalgar Studios
By Monty Leigh Wednesday, September 26 2018, 08:34
A clinical metal table, mirrors, a girl in wrapped bandages - ‘Fuck, I think this is the end.’ Dust, written and performed by the excellent Milly Thomas, is a one woman show about a girl called Alice who takes her own life. We meet her at the moment she ‘wakes up’ in her lonely afterlife and sees the chaos and pain she has left behind.
22 Sep
Reviews 
Review: THE HUMAN VOICE at the Gate Theatre
By Tim Winter Saturday, September 22 2018, 07:07
Jean Cocteau's monodrama from 1930, about the end of a love affair conducted over the telephone and heard solely from the jilted woman's side of the conversation, is given a contemporary makeover in this new version, written and directed by Daniel Raggett.
21 Sep
Reviews
Review: FLAWED ____LIKE A B_Y at The Glory
By Monty Leigh Friday, September 21 2018, 20:30
“Red wine, ecstasy and heavy rock” - Flawed like a boy is a coming of age and a coming out story, that allows an audience to smell, hear and feel the experiences of a queer man growing up in Australia from the 1980s until now.
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