What starts as a bizarrely incongruous combination of two black actors delivering a hobo pastiche in which one repeatedly begs for quarters, (think Waiting For Godot or Rosencrantz and Guildenstern Are Dead overlayered with dust bowl/plantation motifs), morphs into a global rap tour as Tambo and Bones pursue the money and success central to the American Dream.
Clifford Samuel and Daniel Ward in Tambo & Bones (c) Jane Hobson