Aditi Mangaldas and her company practise a style of dance drawn from the classical Indian form, Kathak, which traditionally combines acting, storytelling and singing alongside dance, employing rhythmic, percussive footwork and dizzyingly fast whirling and spinning.
West End Theatre News and Reviews


Review: INTER_RUPTED at the Barbican Theatre
By Kit Benjamin Tuesday, October 25 2016, 10:57


Review: MOBY DICK at the Union Theatre
By Phil Willmott Tuesday, October 25 2016, 09:52
The first thing to note is that this isn’t a sincere musicalisation of Herman Melville's classic novel of man and beast in mortal combat on the high seas.
It’s the first revival of LES MIS producer, Cameron Macintosh’s first flop, in which a gang of cartoon-like school girls and their teachers are shown putting on a musical. In this current incarnation it’s to improve their OFSTED rating.


Review: 5 GUYS CHILLIN at The Kings Head Theatre
By Phil Willmott Monday, October 24 2016, 15:20
"Chemsex" is a slang term which, you won’t be surprised to learn, means a combination of sex and drugs and within the gay community this tends to mean group sex enjoyed at a “chill out party"
There have been some attempts to persuade us that there’s a chemsex health crisis going on at the moment, mostly, as far as I can see by people whose livelihood is dependent on this being the case. Personally I think that’s rather a strong term to apply to something which only affects a small subsection of hedonistic gay men but drugs are addictive and financial and mental hardship and even fatalities have resulted from those indulging to excess.


Review: BURN THE FLOOR at The Peacock Theatre
By Thomas Michael Voss Friday, October 21 2016, 14:57
The Peacock is well known for presenting world dance, such as Flamenco, Argentine Tango, and Cirque Du Soleil type shows. Now, in its third main reincarnation and running till 5th November 2016, BURN THE FLOOR (FIRE IN THE BALLROOM) is a worthy addition to that repertoire.
The evening is filled with almost all the favourite Ballroom and Latin American Dances and more, from Rumba, Cha Cha Cha, Samba, Paso Doble, Jive to Quickstep, Tango, and Viennese Waltz with post-modern twists.


Review: A PACIFIST'S GUIDE TO THE WAR ON CANCER at the National Theatre
By Phil Willmott Friday, October 21 2016, 14:42
Cancer is a very emotive subject. It touches most of our lives in a deeply traumatising way. It certainly has touched mine so how you react to this musical will probably be informed by how raw you’re feeling. It could be that the cathartic experience of watching a show, any show about cancer, no matter how crudely assembled, will be enough to move you and allow you to over look its considerable flaws. I wasn’t moved, I grew increasingly alienated by its attempts to make excuses for its short comings and to justify itself whilst bullying me to tears and daring me not to be moved.
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