From the moment you step through the doors of the N16’s rather wonderful theatre (now, perhaps confusingly, in SW12) you might be forgiven for assuming you are about to be treated, or patronised even, with a show more suited to those citizens under the age of ten but once the lights dim, with a plastic cup of punch, a packet of love-hearts in your hand, and surrounded by a multitude of combusting balloons, things begin to change.
West End Theatre News and Reviews


Review: THE RULES OF INFLATION at Theatre N16
By Preece Killick Friday, March 25 2016, 11:19


Review: AN AMERICAN IN PARIS at the Palace Theatre, New York City
By Davor Golub Friday, March 25 2016, 10:27
Word on the street is that the show will be coming to London sometime in 2017.
Over the past 15 years there has been a plethora of adaptations of Hollywood movies into stage musicals. The success of these ventures from film to the stage depends on whether or not the theatrical team behind the transfer is able to create a piece that is not just a lazy copy but rather one that has a unique theatrical language and reason for being on the stage.


Mark the 400 Anniversary of Shakespeare’s Death at The National Theatre
By Phil Willmott Thursday, March 24 2016, 22:55
The National Theatre is one of a number of theatre’s marking the 400th anniversary of Shakespeare's death next month.
As befitting the London’s most prestigious venue there offering is particularly interesting, coordinated for the Shakespeare400 Partnership, by King's College London.


Review: THE REVENGER’S TRAGEDY at The Rose Playhouse
By Nastazja Domaradzka Monday, March 21 2016, 10:29
Thomas Middleton’s THE REVENGER’S TRAGEDY, like most Jacobean plays, puts men centre stage, leaving very little space for women. With the current demand for strong female roles more directors could take the example of Peter Darney. In his version of THE REVENGER’S TRAGEDY at The Rose Playhouse he not only swaps character genders, empowering the female cast but also re-imagines Middleton’s world in a contextually and visually vivid production.


Review: CORRESPONDENCE at The Old Red Lion
By Nastazja Domaradzka Friday, March 18 2016, 13:19
CORRESPONDENCE, a piece of new writing which premiers at The Old Red Lion, strives to be a political work, tackling issues such as the Arab Spring and mental health, however Lucinda Burnett’s play seems more like a badly written episode of TV's Hollyoaks.
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