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By Lara Alier Wednesday, November 14 2018, 15:16
Jorge de Juan’s productuon of YERMA is set in the fruitful land of Cuba just before Castro’s regime. The sight of a hammock centre stage is a clear visual indication that this production is set in the Caribbean. It hangs alongside a structure made with something that could have been dried sugar cane.
Leila Damilola in Yerma. Picture by Elena Molina.
By Monty Leigh Friday, November 9 2018, 14:55
Smoking Apples Theatre shares their newest creation, Flux, with audiences at Shoreditch Town Hall. It is the first production from the devising theatre company that has a central female protagonist.
By Lara Alier Monday, November 5 2018, 08:26
Writer and director Debbie Tucker Green explores some pertinent things in her new play at the Royal Court.
Do fish in a pond realise their water is stagnant before they die? Have words like “Change” and “Revolution”, that years ago meant overcoming tyranny, been monopolised by banks to sell life insurance?
By Alex Benjamin Monday, November 5 2018, 07:16
Iman Qureshi’s moving play about faith, death and sexuality triumphs by finding the potential for empathy amid a tangle of conflicting cultures.
By Nicola Wright Friday, November 2 2018, 11:10
BREXIT, the play premiered at this years Edinburgh festival, and with its bold simple title, and a subject matter as current and controversial as Brexit this London production is certain to sell out Audiences who go hoping for some new insight or clarity, as yet unexplained to the public, will come out none the wiser, because, like the Brexit debate itself, there is no simple solution.
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