Henry Goodman leads a company of four in Park Theatre’s latest offering - Joanna Murray-Smith’s 1995 play HONOUR - which effectively demonstrates that a strongly written script always retains emotional currency.
Reviews
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31 Oct
Reviews 
Review: HONOUR at Park Theatre
By Stuart King Wednesday, October 31 2018, 11:06
19 Oct
Reviews 
Review: STORIES at the National Theatre
By Phil Willmott Friday, October 19 2018, 07:17
Playwright and director Nina Raine is extraordinarily talented, almost everything she writes and/or stages seems to attract awards and acclaim like a magnet. Her last major piece CONSENT transferred from the National Theatre to the West End and was a searing, funny and poignant mating dance to rival anything by Strindberg, Chekhov or Ibsen.
18 Oct
Reviews
Review: THE INHERITANCE at the Noel Coward Theatre
By Phil Willmott Thursday, October 18 2018, 13:54
The West End now has TWO era defining productions in what’s shaping up to be a golden year for London Theatre. And both shows opened in the last ten days!
You can read about Marianne Elliot’s triumphant re-conception of Stephen Sondheim’s musical COMPANY here but if plays are your thing you really need to catch THE INHERITANCE at the Noel Coward Theatre.
18 Oct
Reviews
Review: COMPANY at the Gielgud Theatre
By Phil Willmott Thursday, October 18 2018, 12:21
As we predicted the modernised version of Sondheim’s 1970s musical COMPANY has enjoyed a triumphant opening night and a raft of five star reviews approving of the radical step of changing the central character (usually Bobby) to a female one (now Bobbie).
Gavin Spokes (Harry), Rosalie Craig (Bobbie), and Mel Giedroyc (Sarah) in COMPANY.
16 Oct
Reviews 
Review: BUSKING IT at Shoreditch Town Hall
By Jess Morrissey Tuesday, October 16 2018, 13:56
How many times have you walked past a busker? Have you ever been so affected that you’ve stopped and listened, or do you turn up your own music and rush on? Busking It, written and performed by Danusia Samal, mixes music, anecdotes and a bit of artistic licence to share some of her experiences of ten years of busking in London tube stations. It provides a compelling insight into this ‘underground’ world.
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