The folksy musical HADESTOWN arrives at the main stage of our National Theatre with a great deal of expectation appropriate to a piece which began as a low key acoustic set of songs which were picked up and developed by some very prestigious North American Theatres until it made a stir in NYC.
Reviews
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14 Nov
Reviews 
Review: HADESTOWN at the National Theatre
By Phil Willmott Wednesday, November 14 2018, 15:51
14 Nov
Reviews 
Review: YERMA at Cervantes Theatre
By Lara Alier Wednesday, November 14 2018, 15:16
Jorge de Juan’s productuon of YERMA is set in the fruitful land of Cuba just before Castro’s regime. The sight of a hammock centre stage is a clear visual indication that this production is set in the Caribbean. It hangs alongside a structure made with something that could have been dried sugar cane.
Leila Damilola in Yerma. Picture by Elena Molina.
09 Nov
Reviews 
Review: FLUX at Shoreditch Town Hall
By Monty Leigh Friday, November 9 2018, 14:55
Smoking Apples Theatre shares their newest creation, Flux, with audiences at Shoreditch Town Hall. It is the first production from the devising theatre company that has a central female protagonist.
05 Nov
Reviews
Review: EAR FOR EYE at The Royal Court
By Lara Alier Monday, November 5 2018, 08:26
Writer and director Debbie Tucker Green explores some pertinent things in her new play at the Royal Court.
Do fish in a pond realise their water is stagnant before they die? Have words like “Change” and “Revolution”, that years ago meant overcoming tyranny, been monopolised by banks to sell life insurance?
05 Nov
Reviews 
Review: THE FUNERAL DIRECTOR at Southwark Playhouse
By Alex Benjamin Monday, November 5 2018, 07:16
Iman Qureshi’s moving play about faith, death and sexuality triumphs by finding the potential for empathy amid a tangle of conflicting cultures.
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