Pinter Two consists of two, relatively early one-act comedies by the man himself and is the second in a series of seven collections of Pinter’s shorter works being produced at the Harold Pinter Theatre over the next few months. The season appears to have had theatre and TV names queuing up to participate and is curated, and mostly directed, by Jamie Lloyd, who probably deserves some sort of medal.
Reviews
Our reviews are written by independent theatregoers. If you're looking for unbiased and honest reviews, you're in the right place. And don't forget that the ratings on our website are compiled from real reviews from real customers.


Review: PINTER TWO at The Harold Pinter Theatre
By Kit Benjamin Monday, October 1 2018, 09:02


Review: PINTER ONE at The Harold Pinter Theatre
By Kit Benjamin Sunday, September 30 2018, 10:12
Pinter One is the first in a season of seven collections of Pinter’s shorter works, being presented in the theatre that’s named after him. It’s a madly ambitious, celeb-heavy project which, one imagines, must have been hugely challenging for director Jamie Lloyd to mount, and I confess to having felt some trepidation that I was going to see something under-rehearsed and thrown together. On the evidence of Pinter One and Pinter Two (which I saw later the same day - review to follow), it looks like it might just work.
Antony Sher and Paapa Essiedu in Pinter One


Review: THOR AND LOKI at HighTide Theatre, Walthamstow
By Justin Murray Saturday, September 29 2018, 07:57
Harry Blake, writer-director-thunder-god of Thor and Loki, had better hope that the Asgardians aren’t looking down the Bifrost at the parodic antics of this production. Or perhaps not?


Fresh Look: SCHOOL OF ROCK at the Gillian Lynne Theatre
By Isabella James Wednesday, September 26 2018, 14:53
This West End production brings to the stage all of the fun, quotable moments of the film but with an added underlying story about children under pressure from pushy parents. Andrew Lloyd-Webber has used the songs from the Jack Black movie but added a number of extra solos and anthems, including the catchy and rebellious ‘Stick it to the Man’.


Review: 4.48 PSYCHOSIS at the New Diorama Theatre
By Alex Benjamin Wednesday, September 26 2018, 10:07
Sarah Kane’s final play 4.48 Psychosis has become integrated into theatrical legend since its posthumous premiere in 2000, a delirious expression of depression and suicidal thoughts told through fragmented scenes and evocative poetry.
« previous articles - page 139 of 252 - next articles »