It's a time for star led Shakespeare. Next week I'm looking forward to seeing Andrew Scott as Hamlet at the Almeida (despite the news that it's running at 4 hours 10 minutes!) but nipping in before him is TV and stage star Tamsin Grieg who's starring as Malvolia in TWELFTH NIGHT at the National Theatre.
Reviews
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25 Feb
Reviews 
Review: TWELFTH NIGHT at the National Theatre
By Phil Willmott Saturday, February 25 2017, 10:25
24 Feb
Reviews
Review: THE WILD PARTY at The Other Palace
By Phil Willmott Friday, February 24 2017, 18:09
This production of musical WILD PARTY is an extraordinary achievement by Paul Taylor Mills, an ambitious young producer and Andrew Lloyd Webber’s choice to Artistic Direct The Other Palace (formally the St James Theatre) which is to become a home for new and recent musicals.
17 Feb
Reviews 
Review: THIS IS NOT CULTURALLY SIGNIFICANT at The Vault Festival
By Nastazja Domaradzka Friday, February 17 2017, 12:50
After you spend a lot of time in the theatre, be it watching or making it, sooner or later you begin to yearn for a surprise. You want to see work that will stop your breath, stay with you for a long while and make you question the status-quo in a creative and non patronising way. After missing THIS IS NOT CULTURALLY SIGNIFICANT last summer at Edinburgh Fringe I finally managed to see the piece at this year's The Vault Festival, and I can't express how mind blown I was by Adam Scott- Rowley's absurdist and hypnotising one man show.
16 Feb
Reviews
Review: TRAVESTIES at the Apollo Theatre
By Phil Willmott Thursday, February 16 2017, 08:39
Tom Stoppard is one of those playwrights that make you feel clever just by buying a ticket.
"Look" your ticket tells the world, "I'm a person who will appreciate a wordy play based on an intellectual conceit"
Those tickets sell like hot cakes to London's intelligentsia.
13 Feb
Reviews 
Review: GLITTER PUNCH, Kings Head Theatre
By Daniel Perks Monday, February 13 2017, 10:00
A no frills analysis of an atypical love story, Glitter Punch is a cleverly understated production that is most impactful in the things it doesn’t say. Leave the outcome a cliffhanger to increase the sense of intrigue.
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